Saturday, March 28, 2009

 

Stealing From A Thief



You know all that neato, gnarly stuff they tell you about physical exercise? How it is good for you completely, mind body and soul? How you're always glad you did it, even if you went into it dreading it? How it gets easier all the time ... how it just becomes more and more fun and more rewarding over time?

All that stuff is true.

Why do I always forget that? I go long periods without exercise and I get fat ... and then I get disgusted and realize I have to change, and I start exercising again and I find myself thinking "Why did I ever quit doing this?"

It's been rainy and crappy here lately, so I've been riding my exercise bike instead of walking outside. And, man, I'm really enjoying it. I look forward to the weather changing so I can get outside and do stuff, too. I put together a new playlist of heavy, positive, catchy metal songs for my MP3 player, and that makes it all even more fun. And I've come to realize that one of my favorite of those songs, Stealing From A Thief by the legendary NY thrasher's Anthrax, has an awesome message:

So I hereby adopt Stealing From A Thief as my new personal theme song.

That's right, it's my personal theme song. Cheesy, yeah ... but I firmly believe that everyone needs their own personal theme song. If you don't have a personal theme song, then I feel sorry for you.

Check out the awesome, positive lyrics to my personal theme song:

Stealing From A Thief ... by Anthrax

Don't want a life like my parents had.
Don't want a life like my rich friends have.
Don't want to live by association.
Don't want to live the great maybe.

I want a life not a name online,
I want to live in real time.
I want a life just so I can be.
I'll never ask what was in it for me.

Stealing from a thief,
My humanity.
I know my name, I know my pain,
I know my frequency.

As a kid I played "make believe."
As a man I played "Make. Believe."
As a kid I'd do anything.
As a man I've done everything.

I live my life centered and humane.
I live my life like a man insane.
I live my life just so I can be.
I'll never ask what was in it for me.

Stealing from a thief,
My humanity.
I know my name, I know my pain,
I know my frequency.

I get up, I get up, I get up and go!
I grab a hold and reach way down
To find something that I really believe.
I don't need to console myself.
If I don't like what I see, f--- it.

I'll never ask what was in it for me.



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Thursday, March 26, 2009

 

Things Could Be Worse



I've been blogging about personal stuff lately, and it's theraputic to get that stuff out. It helps.

But I realize that things could be much worse for me. I could be as dillusional as Fred Durst:
The Limp Bizkit frontman, no doubt all too aware that his band's rap-rock sound is dead and gone, is once again propping himself up on the one thing he figures people will remember, his alleged fling/relationship/whatever with Britney Spears back in 2003...

"It just became a fiasco of madness," Durst, 38, tells MTV News about the alleged fling and subsequent story breakup. "(But) I always stay true to my heart and true to everything I did and my intentions, and I am in no way a liar..."

"I look back on it as very interesting (in terms of) how things have been sort of unraveling for her since," he says. "(But) it is what it is. I can sleep at night knowing I made decisions that I wanted to make. (Still) I'm a supporter. I was then, I guess I am now. ... "I just guess at the time it was taboo for a guy like me to be associated with a gal like her," he adds.

What a peckerhead.

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Friday, March 20, 2009

 

Job For A Sponge



Job For A Cowboy is an extreme metal band.

Spongebob Squarepants is a yellow invertebrate.

Two great tastes that taste great together:



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Thursday, March 19, 2009

 

Tool + Rorschach = Awesomeness



I really was gonna try to stop writing Watchmen stuff for a while. and I really was gonna stop forcing rock song lyrics that I enjoy down everyone's throats...

but then it occured to me that the lyrics to one of my all time favorite hard rock songs damn near sums up Rorschach's world view ... and my own:

Ænema by Tool:


Some say the end is near.
Some say we'll see armageddon soon.
I certainly hope we will.
I sure could use a vacation from this

Bullshit three ring circus sideshow of

Freaks here in this hopeless f---ing hole we call LA.
The only way to fix it is to flush it all away.
Any f---ing time. Any f---ing day.
Learn to swim, I'll see you down in Arizona bay.

Fret for your figure and
Fret for your latte and
Fret for your hairpiece and
Fret for your lawsuit and
Fret for your prozac and
Fret for your pilot and
Fret for your contract and
Fret for your car.

Some say a comet will fall from the sky.
Followed by meteor showers and tidal waves.
Followed by faultlines that cannot sit still.
Followed by millions of dumbfounded dipshits.

Some say the end is near.
Some say we'll see armageddon soon.
I certainly hope we will.
I sure could use a vacation from this

Silly shit, stupid shit...

One great big festering neon distraction,
I've a suggestion to keep you all occupied.

Learn to swim.

Mom's gonna fix it all soon.
Mom's comin' round to put it back the way it ought to be.

Learn to swim.

F--- L Ron Hubbard and
F--- all his clones.
F--- all those gun-toting
Hip gangster wannabes.


Learn to swim.

F--- retro anything.
F--- your tattoos.
F--- all you junkies and
F--- your short memory.


Learn to swim.

F--- smiley glad-hands
With hidden agendas.
F--- these dysfunctional,
Insecure actresses.


Learn to swim.

I'm praying for rain.
I'm praying for tidal waves.

I wanna see it all come down.
Suck it down.
Flush it down.



Great track from a great metal album. (Yeah, I know that Tool and a number of their artsy fartsy fans argue that Tool isn't metal, man, so don't label 'em. Tool is metal. Shut up.)

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Sunday, March 15, 2009

 

THIS Is Why I Like Phish



This is a live show, you can stream samples of the songs with the widget just below. And if you like what you hear you can click the download this show link and get a high-quality copy of the whole show for ten bucks. Or, if you're a cheapskate like me, you can get a lesser-quality copy right here for free (and legally).

Phish played for the first time in years in Hampton last week. If you were quick on the mouse you could have downloaded high-quality copies of those shows for free. I got 'em, and they're good, but the show below is awesome.

Phish
10/7/00 Shoreline Amphitheater, Mountain View, CA


Click below to preview tracks from this show

DOWNLOAD THIS SHOW



If you don't know Phish, I guess I'd describe them as a cross between The Grateful Dead and Frank Zappa, but funky. But every Phish fan describes them differently. Just stream some of this music and see what you think...

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Times Of Trouble



More lyrics that I particularly enjoy:



Times Of Trouble by Temple Of The Dog

When the spoon is hot
And the needles sharp
And you drift away.
I can hear you say
That the world in black
Is upon your back.
And your body shakes,
So you ditch away
And you close the shades.

Don't try to do it.
Don't try to kill your time.
If you do it
Then you cant change your mind.
You've got to hold on to your time
Till your break through these times of trouble.

When you try to talk
And the words get hard
And they put you down,
Don't you stay.
Don't you ditch away.

I saw you swinging,
Swinging your mothers sword.
I know youre playing,
Sometimes the rules get hard.
But if somebody left you out on a ledge,
If somebody pushed you over the edge,
If somebody loved you and left you for dead,
You got to hold on to your time
Till you break through these times of trouble.



This is from one of the best rock albums of the past 25 years. Don't just by the track, buy the whole damn thing.

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Thursday, March 12, 2009

 

Let It Fall



Still boosting good pop/rock/whatever lyrics. This song has pretty much become my favorite tune of late, mostly for the words:

Let It Fall by Sean Watkins and Glen Phillips


Hey look, I'm not weighed down.
As I walk through
The glowing wheat fields churning on the ground.
As all the ravens fly away
They leave nothing
But the sun and endless blue day.

I always knew I felt this way
But couldn't find the time to say
To myself that I've got to let it go.
Through all the joy and all the pain,
With the drought and the rain,
The honest truth is all I want to know.

Let it fall.
Let go.

My kingdom's walls have fallen down.
But I know that
I don't wear an undeserved crown.
And though it seemed to fit me well,
Underneath it
I did certainly fall down.

Last summer we left things unsaid
That should be now a long time dead.
Now it seems that time has put it well.
'Though words can chase away a friend
To a lie they'll bring an end
And throw it down the darkest, deepest well.

Let it fall.
Let go.

Go sample this song and spend a buck on it if you like what you hear. If you don't fall in love with this tune I'll personally refund your dollar.

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WHEEEEEEE!



FAITH NO MORE is REUNITED!

Jim Martin didn't come back, but my hopes are still high. So far just talk of some concerts. Man, I really hope they record again. They turned out some of my favorite rock in the late 80's and early 90's and I'd like to hear what they'd do today.

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Wednesday, March 11, 2009

 

Odds N' Sods



I gotta make this one quick because I took my nighttime pill combo a little bit ago and it's gonna kick in soon, and soon I'll either stop typing or I'll be typing gibberish. I hate, hate, HATE waking up the next day, seeing something I've posted, thinking "WTF is WRONG with ME??" and frantically deleting and/or editing the post.

Anyway, just some recent stuff from the inbox and/or Google Reader...



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Saturday, March 07, 2009

 

Brother (Or Whatever)



I guess this song is written about a brother. It's called "Brother," after all. But I've found that the lyrics apply just as well to step-sons.

Just bear with me, I'm in a rock-lyrics period right now.

Why do I always have to look to the words of others to say the important stuff? One of my defects, I guess.


Brother by Toad The Wet Sprocket

I find my brother in there,
Deep in my heart.
I find my brother in there,
Hold in my arms,
I love you.

And if I seem too quiet now
It's that there are no words
To tell you how
I love you.

I often feel,
Like the prodigal son:
I take all I need
Giving back none.

All beauty shows,
But in such different ways.
You're like the light behind the fog
So bright you burn my eyes away.

So much has changed.
And so much has happened these years.
But still I find
You waiting here.
We have a bond
That nothing can change.
And still I find
A peace of mind
Whenever I hear your name.

But if I seem too quiet now,
It's that there are no words
To tell you how
I love you.



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Haywire



I keep rediscovering this Dog's Eye View album and remembering how much I love these lyrics.

Haywire by Peter Stuart (Dog's Eye View)


"We used to live so bright,
We used to shine,"
she said.
"Now you just work all day,
And I just stay in bed.

Dreaming of singing another song,
Dreaming of flying,
Knowing that it can't and won't be long
Before I just walk away."


Well, I came from the cradle and I'm going to the grave,
And everybody else is.
I've made the same old sins and I've made the same mistakes
That everybody else has.
And I'm going haywire.

"Well, you can count me out of your prized posessions
And watch me smile.
You can cut me down with your best intentions
And listen to me laughing,"
she said.

Well, I came from the cradle and I'm going to the grave,
And everybody else is.
I've made the same old sins and I've made the same mistakes
That everybody else has.
And I'm going haywire.

What do I have to lose?
What do I have left to lose?

"Drop my clothes in the closest ocean,
Let me sail.
You don't have to tell me where I'm going,
Just please don't make me stay.

Well, you can try to stop me now
If you want it so bad.
And you can try to reach for me,
But I don't think you can.

Somehow I've found my feet and walked away from you."


And I'm going haywire.

I'm going haywire.



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Friday, March 06, 2009

 

What I Know Now



I love rediscovering an old favorite album.

One of my favorite things about Dog's Eye View's Happy Nowhere is that the lyrics "speak to me, dude." Some of the songs are sentimental, some of them are funny ... and at least one is amazingly bitter:

What I Know Now by Dog's Eye View

There are no angels.
Only patronizing saints
Who would gladly keep you out of trouble
But never let you forget that you came.

There are no devils.
There are no truly kind deeds
It's just pay now and pay more later
And hope you get what you need.

And when I find myself in times of trouble
I usually give up.
Nothing to win,
Nothing to lose,
I'll just wish you luck.

There are no rules here,
Just piles of mistakes
That we say we've learned from
Then we go ahead and make.

And faith is a lazy way of trying
To get what we want
Without ever doing anything at all
To help bring it along.

And when I find myself in times of trouble
I usually give up.
Nothing to win,
And nothing to lose,
I'll just wish you luck.

And did I want the freedom to be myself
Or the freedom to f--k around?
Did I just want the freedom to fail without bringing you down?

I thought I loved you,
But now I know I was just confused.
And going through the motions
Until we were both completely bruised.

I hope I'm happy,
Because we both know I'm not fine.
I just keep kicking up my heels
Without thinking of you standing behind me.

And when I find myself in times of trouble
I always just give up.

And I don't know what to tell you.
Well I know what I'd like to tell you...
I'd like to call you up and tell you
What I know now.



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At The Waterline



I don't write about the really important stuff at this blog. Not in my own words. I rely on rock and roll for the big stuff. I always have.



Waterline by Peter Stuart
of Dog's Eye View

I'm walking with my father's ghost,
And he's talking to me.
He says "I'm sorry."
But it's so hard to be free.

He says "I knew you when you were so young
Now you will never know me...
Except from pictures that you might find from
When you were three or four or five..."


Down at the waterline,
I'm at the waterline tonight.
I'm at the waterline,
At the waterline tonight.

Now I'm talking with my sister
Who says she knows you well.
She says she hears you in her hallway at night,
And sometimes she can smell you.

But not me.
I have to make it up
From the smallest clues I can find.
Me, I have to dig you up
From the corners of my mind.

We're at the waterline,
At the waterline tonight.
We're at the waterline.
We're at the waterline tonight.

Well, I built this boat with you, my friend,
And you're not here to get in.
I'm wondering, should I let it go?
Should I see if I can swim?

I'm standing in this boat I've built,
And the water is at my knees.
I thought that I might find you here,
But it looks like it's just me.

It's just me.

Here at the waterline,
At the waterline tonight.
At the waterline,
The waterline tonight.

I'm walking with my father's ghost.
He's talking to me,
He says "I'm sorry."



"If you do not forgive, you will not be forgiven." - Matt. 6:15

It's a great song. Buy it for a buck at this link.

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Thursday, February 26, 2009

 

Throw It All Away



Pure positive energy from Toad The Wet Sprocket. I LOVE these lyrics:

take your cautionary tales
take your incremental gain
and all the sychophantic games
and throw 'em all away

burn your tv in your yard
and gather 'round it with your friends
and warm your hands upon the fire
and start again

take the story you've been sold
the lies that justify the pain
the guilt the weighs upon your soul
and throw 'em all away


tear up the calendar you bought
and throw the pieces to the sky
confetti falling down like rain
like a parade to usher in your life

take the dreams that should've died
the ones that kept you wide awake
when you should've been all right
and throw 'em all away


with the time I waste on the life I never had
I could've turned myself into a better man


'cause there ain't nothing you can buy
there is nothing you can save
to fill the hole inside your heart
so throw it all away

it won't fill the hole inside your heart

help me to empty out this house
of all I've gathered all these days
and thought I couldn't do without
and throw it all away



Or, put another way, as Tyler Durden says, The things you own end up owning you.

Click here and spend a buck on an absolutely perfect little pop song.

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Tuesday, February 24, 2009

 

1983



How many other members of my generation spend the occasional evening sitting at the PC, looking for long forgotten music videos?

Remember the days before MTV ... or at least before MTV was widely available? (Heck, maybe MTV was just our alt-realty version of VNM anyway.)

Remember Friday Night Videos and Night Tracks? Man. Remember when the whole music video concept was novel, exciting and irresistible?

I have been surprised to realize that a great many of the songs and videos I remember so fondly all date back to the same year: 1983.

David Bowie was always hit or miss with me. For every song he released that I loved there would be another I disliked. I remember the first time I saw the video for Bowie's '83 hit called Modern Love and totally flipping out over it. What a great pop song. I couldn't get it out of my head. Of course, a big part of the reason the song was so good was that awesome little guitar hook at the beginning, played by the then unknown Stevie Ray Vaughn.



In 1983 I was convinced that the heaviest song anyone would ever record was Rock Of Ages by Def Leppard. This was before I got "retro" and discovered Black Sabbath. In '83, Def Leppard was like an atom bomb. Even the image of skinny-ass Joe Elliott waving a seven-foot cardboard sword wasn't enough to ruin this video:



'83 also saw the unthinkable happen: Kiss released Lick It Up and did a video with no makeup. That was a real shock. One reason it was shocking was that without their makeup Gene Simmons and Paul Stanley looked like a couple of old farts. And that was twenty-six years ago, dude. Simmons and Stanley were easy to pick out in the Lick It Up clip, and so was drummer Eric Carr. But I remember being confused the first time I saw the video, wondering who the ugly chick in the band was. Turned out that "ugly chick" was Vinnie Vincent, the guitarist who'd replaced Ace Frehley. Vinnie was one of seventy-four or seventy-six guitarists that Kiss went through in the '80's and '90's.

The video had a post-apocalyptic Mad Max kind of vibe and took place in a bleak future where a bomb or something had wiped out everything except hot chicks and elderly rock stars. Here the band parties into the night, unaware that Keith Richards is waiting in the darkness, ready to strike when they least expect it and take away their women and MRE's:



'83 was also a big year for Boy George, and his band Culture Club had a huge hit with Karma Chameleon. Of course, I was a 15 year old boy in '83 and I was into heavy metal and The A Team. Boy George represented everything I was steadfast against. He looked like Brooke Shields on steroids, and his proudly androgynous image was naturally an affront to any teenage boy's self image. We were doing all we could do to follow the natural path, dude, and become MEN. MEN who would some day have a chance at engaging in actual conversations with WOMEN. And maybe we'd have these conversations in a car, cars we would be driving as we were accompanied on actual DATES by a WOMEN. And, if all went well, the end result of the mysterious DATE process was that somehow the MAN was going to manage to touch the BREAST of the WOMAN. The goal was to touch the BREAST in a way that was mutually agreeable to the MAN and the WOMAN ...but any awkward, fumbling contact that involved the hand of the MAN and the BREAST of the WOMAN was technically acceptable. Once that was done, the MAN could make up any fool thing he wanted to say about the rest of the night, nobody was going to believe him anyway. So with this level of planning and this degree of uncertainty already having profound effects on our desperate young lives, the last thing we needed was happy Mr. Androgyny and his little band dancing their way through the havoc of our daily existence:



Honestly, accusing another guy of being a Culture Club fan in '83 was a pretty serious charge. Those Culture Club albums were sold with gay-germs right on the disc itself. If you took it out and played it, you'd have Boy George's very own gay-germs all over you before you got the record on the turntable! By the time side A was finished, you'd not only be a Culture Club fan, you'd also be Lamar from Revenge of the Nerds:



Of course, it's been 26 years and I'm ashamed to say that the 15 year old version of myself would be horrified to see how I now respond when Karma Chameleon comes on the radio. Like every other putz my age, I bop along a bit, sing along with the words I remember, and remark about how cool it is when they play the old songs I remember from my school days. Boy George just doesn't freak me out anymore. I don't even know if he's actually gay or not. I realized that my grasp on "gay culture" was tenuous at best when the gays addopted Tammy Faye Bakker as an icon d'jour.

Then there was Styx and Mr. Roboto, a conceptual piece that didn't make sense on it's own, in the abbreviated four-minute version they showed on TV.

No, the video to Mr. Roboto told only part of the story. But if you bought the album, you'd get to hear the whole story, right?

Well, at least you'd get the lyrics sheet, and you'd get to find out that Denis DeYoung wasn't actually singing "My Heart Is Human / My Blood Is Boiling / My Brain Like A Yam!" ... No, the last part of that famous line was actually "My Brain IBM!, which didn't make much sense either. But if you put the whole story together you'd realize that it involved some shocking, nefarious elements, such as:


And a whole bunch of other shit that wasn't enough to make you listen to this whole lame album all the way through more than a time or two.

So like the rest of us you probably recorded the two or three good tracks to a cassette and put Mr. Roboto back under house arrest at the bottom of the LP pile.

Here's a total change of gears; for whatever reason while I was looking for those videos I remembered another song from '93 rather than '83. I always loved Out There by Dinosaur, Jr. What a kick-ass song. It was disappointing to find out that the original music video apparently doesn't reside on YouTube. But I did find a live performance from last summer, and apparently the band can still sounds pretty good. I bet they're worth checking out live. This is really good, sloppy, grungy rock in the Neil Young And Crazy Horse tradition. Turn this one up loud enough to piss off the neighbors:

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Thursday, February 19, 2009

 

Harry's Circumcision



A little irony, courtesy of Lou Reed:
Looking in the mirror Harry didn't like what he saw.
The cheeks of his mother, the eyes of his father.
As each day crashed around him the future stood revealed.
He was turning into his parents,
The final disappointment.

Stepping out of the shower Harry stared at himself.
His hairline receding, the slight overbite.
He picked up the razor to begin his shaving.
and thought, oh, I wish I was different,

I wish I was stronger, I wish I was thinner.
I wish I didn't have this nose.
These ears that stick out remind me of my father,
and I don't want to be reminded at all.
The final disappointment.

Harry looked into the mirror thinking of Vincent Van Gogh,
and with a quick swipe lopped off his nose.
And happy with that he made a slice where his chin was.
He'd always wanted a dimple.

Then peering down straight between his legs,
Harry thought of the range of possibilities.
A new face, a new life, no memories of the past,
and slit his throat from ear to ear.

Harry woke up with a cough, the stitches made his wince.
A doctor smiled at him from somewhere across the room.
"Son, we saved your life, but you'll never look the same."
And when he heard that, Harry had to laugh.
Although it hurt Harry had to laugh.
The final disappointment.


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Saturday, February 07, 2009

 

One, But Not The Same



A well crafted pop song is a simple thing: all it needs is an unforgetable melody and some simple, universal lyrics. Easy, right?

Over the years I've had "flirtations" with other songs, but I always come back to "One" by U2. I think that it is the best pop song of all time.

Now, Bono has his detractors, and I admit the guy can be a real turd when he starts running his mouth. But screw Bono, man. I ain't talking about Bono. I'm talking about the song.

If it was good enough for Johnny Cash, it's good enough for me. And who knew a well-crafted song better than Cash?

Over the years I've been sure, several times, that I knew what this song was about. I've though it was about the last stage of the grieving process. I've thought it was about failed marriage(s). I've thought it was about reaching a fork in the road with an old friend.

And I was right and wrong each time. This is one of those perfect little songs where the lryics are 100% applicable to a number of life's milestones.

Today, I'm certain that the song is about the agonizing loss of religious faith:

"You say
Love is a temple,
Love a higher law,
Love is a temple,
Love the higher law.
You ask me to enter
But then you make me crawl.
And I can't keep holding on
To what you've got
When all you've got is hurt."


I've been on the other end, I've looked down my nose at people who've stopped going to church. It's a lot easier on that end, let me tell you. I wouldn't wish the loss of religious faith on anyone. It's a lot like cancer, based on my experiences with both.


No idea what the band hoped to communicate with this strange video... the black and white, the drag, etc.

But I know exactly what they wanted to get across with the song. I've known so many times, for so many different reasons, and I have a feeling that there will be more reasons to come.

Yeah, "One" by U2 is the best pop song ever.

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Tuesday, January 20, 2009

 

Inauguration Day In The Land Of Sunshine



I can't think of a better way to mark the inauguration of the Savior Elect, President Tila Tequila, than with one of my favorite songs from Faith No More:




You have a winning way, so keep it,
Your future! Your future! Your future!

You are an angel heading for the land of sunshine!
And fortune is smiling upon you!

Prepare for a series of a comfortable miracles,
From fasting to feasting!
And life to you is a dashing, bold adventure!
So sing, and rejoice! Sing, and rejoice!

Pat yourself on the back and give yourself a handshake,
'Cause everything is not yet lost!

Does life seem worthwhile to you?

HERE'S HOW TO ORDER!

HERE'S HOW TO ORDER!



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Friday, January 16, 2009

 

Disparate Diatribes





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Friday, January 02, 2009

 

Goodbye, Old Friend



After countless hours of loyal service, my Creative Zen 4 gig MP3 player has done bit the dust.

I think it was a corrupt MP3 of Willie Nelson's Crazy that did it. The MP3 player got locked in a constant loop of that song and then after a few minutes it just locked up and now won't do anything.

For what it's worth, up until this happened, I never had a hiccup out of the thing. It was a darn good investment and I'll miss it.

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Tuesday, December 30, 2008

 

2008: The Year At SouthCon



A look back at the year as it closes ... each of the thumbnail pictures below is clickable. Click one and it'll take you to the relevant post.

This is 2008 as I followed it at the blog. The political, the cultural, the personal and the trivial. Mostly the trivial.













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Saturday, December 27, 2008

 

Little Girl, Big Sound



As I've written before, I really enjoy bass guitar. Which is why I really enjoy this:

Her name is Tal Wilkenfeld. I think that's a good name to remember.

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Friday, December 12, 2008

 

Various And Sundry



Just some things that caught my eye:


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Thursday, November 27, 2008

 

Music And Lyrics On The Big Screen



Sometimes it's annoying when popular rock and pop songs are used as the soundtrack for a movie. It's often just one more symptom of a movie maker's absolute lack of creativity, originality and focus.

But, sometimes, a pop song is worked into a movie with real creativity and with real dramatic impact. When a pop song is used well in a movie, both the song and the movie benefit from the mix. Sometimes, in fact, a pop song is used so well in a movie that I can't help but associate the song and the movie forever after. It's a tribute to the skills of the director and/or writer when, working completely independent of the song writer, he or she is able to turn a pop song into an important element of a good movie. Put simply, when it's done right, it's awesome.

Some directors are particularly good at pulling it off. Paul Thomas Anderson and Quentin Tarantino come to mind. Other directors try it rarely, but sometimes to great effect.

This is a list of some of my favorite examples of doing it right.

But first, some rules:



And now ... the movies and the music (eleven songs, ten films), in no particular order.



This is only a partial list of many good examples of movie scenes that utilize pop music organically and artistically. I'm sure you may have a favorite that I didn't include on the list. I'd love to hear about other scenes I may have forgotten ... or may have never seen!

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Thursday, November 20, 2008

 

Effed Up World



Remember when society didn't encourage and celebrate people turning themselves into androgynous, discombobulated freaks?

Language warning for this clip. Content warning, too. And I don't even know how else to warn you about the whack-job bizarreness of this clip. It features that senile old turd Larry King interviewing the "pregnant man" and her wife about their "sex life:"


Credit (blame?) to Newsbusters for the video.

The more I actually pay attention to the world around me, the more I agree with one of my favorite bands when they say:


"Some say a comet will fall from the sky
Followed by meteor showers and tidal waves
Followed by faultlines that cannot sit still
Followed by millions of dumbfounded dipshits.
Some say the end is near.
Some say we'll see armageddon soon.
I certainly hope we will.
I sure could use a vacation from this
Stupid shit, silly shit, stupid shit... "


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Saturday, November 15, 2008

 

ANVIL! The Story Of Anvil



This looks like American Movie by way of This Is Spinal Tap. And it's a real documentary about a real band. (I vaguely remember Anvil from the '80's.)

I think this has the potential to be very funny and sad at the same time, just like American Movie. I look forward to seeing it. There isn't a proper trailer for the film, apparently, and the clip above is the best clip I could find at YouTube. Click here to see a shorter, better one (although not an embeddable one) at RollingStone.com. There are also several clips at IMDB.

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Tuesday, November 11, 2008

 

Awesomely Awful Metal Album Covers



I'm a big fan of heavy metal music, I have been since I was a kid and I just refuse to grow out of it. I gotta have my metal.

One consequence of metal addiction is that you're constantly seeking out new bands to check out. One consequence of that is that you get exposed to a huge number of really awful heavy metal bands.

Another consequence is that you see an awful lot of really, really, really awful album covers.

With the Mp3 and the iPod quickly replacing the music store and the CD (just as the CD replaced the classic vinyl LP), maybe it's time to celebrate some of the absolute worst album covers out there before the whole concept of album covers is forgotten forever.


The best thing about this cover is that it features not one but two rockin' metal mustaches.




There's just too much going on here.

The being on the cover seems to be a Transformer. MCF could probably tell me for sure if it's an authentic one or not.

One of his legs is either a bus or a subway train, and one of his feet is a tank (I'm talking about the being on the album cover, not MCF). And, he has giant moth wings. Because, you know, he'd look goofy without them. And he's apparently ripped out his (horribly swollen) heart and is in the process of replacing it with ... a large gear. And, really, I don't see how he had any other choice.




It's kinda cool that this must be a Latino metal band. My biggest complaint is that the little skeleton-guy is gonna be far to short to play that big-ass guitar.




Another cover with just far too much going on. I don't blame the old guy for drinking, I'd drink too if I'd lost my right leg and all of my shirt's buttons.




Damn you, cruel hand of fate! He finally kisses a girl and it's just as they electrocute him! Doh!




What is that thing?




Beware the giant Easter eggs of doom!




I'm fine with this album cover featuring an ax-wielding sumo wrestler with the head of ... the head of a hamster, I think. And I'm fine with all the skulls, which seem to indicate that the sumo hamster guy is really brutal. And I'm fine with the fact that apparently a 747 is about to crash into the sumo hamster guy. Clearly he was asking for it. But why is sumo hamster guy's body pink? That just makes the whole concept seem silly.




"See! I told you guys that the painting I made in seventh grade would eventually be my own band's album cover!"




This last one is my favorite. I just can't decide what I like most about it. Maybe it's the seven-foot tall Lurch lookalike with the formal shirt and the giant hair. Maybe it's the combination of fists and sunglasses. Nothing says "We kick ass" more than fists and sunglasses. Or maybe my favorite thing is the guy second from the right. The one who's right eye appears to be bulging out of his head. There's just so much to love about this album cover. I want a FatHead of this album cover.

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Saturday, November 08, 2008

 

Bang Thy Head



I was thrilled when MTV2 brought back the Headbanger's Ball, their Saturday Night two-hour block of heavy metal videos.

Wendy was pretty happy about it, too. But, as with all things associated with MTV, our excitement was for naught.

For one thing, MTV2 keeps changing the time and the length of Headbanger's Ball. Sometimes it's still two hours, but often it's just an hour, and sometimes it's an odd 90 minute program.

And they keep pushing the time back further and further. There's just no way to know when or where they'll be playing it. TIVO gets it for us, but we never know when TIVO will be finding it. Lately it's been running in the deepest night when other stations are playing infomercials.

And then, once we get a chunk of Headbanger's Ball metal videos on the TIVO, we end up fast forwarding through damn near all of them because most of them suck.

There is still plenty of good metal out there, old and new ... but MTV2 seems hell-bent on programming bands based, apparently, on record label relationships. So we fast-forward through the whole program, finish it in twenty minutes, and feel disappointed. And we go through this once a week.

Well, to hell with it. Thanks to the beauty of blogs and YouTube, I'll be hosting Headbanger's Ball here at SouthCon whenever I feel like it. And I feel like it now.



Welcome to the first SouthCon edition of the Headbanger's Ball, featuring some of the best heavy metal out there, old and new, but stuff that MTV refuses to play for some damned reason.

We'll start out right with the band that ya always hope to hear when you tune in to Headbanger's Ball... Slayer:


Up next is one of my favorite new bands, unfortunately a band that just broke up this past August after ten years together. Maybe if MTV2 had given them the attention they deserve, they'd still be together. This is HIMSA, the song is Big Timber. MTV2 did play it on Headbanger's Ball a couple of times, but HIMSA could have benefited from exposure at an hour when there are still some people awake.



That last video was a classic from Pantera, Mouth For War, the first track on Vulgar Display Of Power. It's hard to go wrong with Pantera.

This next track doesn't offer much in the way of a visual, it's not a proper video at all. A fan put this together and the only visual image is the cover of the album from which the songs were drawn. The band is Opeth, the album is Watershed, and this is eight minutes or so of outstanding prog metal called The Lotus Eater, my favorite track on the album. Let it play, it's worth it. There's some amazing soloing in there, and the band goes down some surprising alleys musically:



Opeth, followed by Judas Priest, the awesome title track from the 1990 album Painkiller ... lest anyone get the idea that Priest was done after the mid-80's. Not so, my friend.

Up next, a great metal band with an interesting history. Original singer Jesse Leach left Killswitch Engage after their second album, but rather than break up the band recruited singer Howard Jones and continued. Jesse's departure from the band was under the best possible terms, and he even came back to sing harmony vocals on some of the band's first tracks recorded with Howard. For my money, Howard is the better singer ... I think the band traded up. Nonetheless, they did some awesome songs with Jesse, and this video is for one of them. From the album Alive or Just Breathing, here's Killswitch Engage with My Last Serenade:




That was Alice In Chains, their classic Would, from the album Dirt. That track is also on the soundtrack to the film Singles.

Up next, Richmond Virginia's own Lamb of God. This band never fails to bring the heavy in a serious way. For example, the track Now You've Got Something To Die For:



That was the CRIMINALLY underrated band Sevendust, one of two videos for the song Enemy. The other video doesn't have the band in it at all, I like this one better.

And I'll wrap up this ten-video, first addition of the Headbanger's Ball at Southcon with one last vid. I hope you heard something you enjoyed that you're interested in checking out a band or two based on the songs here. This last one is from my favorite lyricist in metal today. Every YouTube copy I saw of the song I really wanted to close with, Disposable Teens, doesn't allow embedding. So I'll go with my second favorite. Here's Marilyn putting our vacuous pop culture on notice, This Is The New Shit:



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Thursday, October 02, 2008

 

Five Bucks Well Spent



An hour and twelve minutes of live Metallica, recorded a couple of weeks ago. Includes half of the new album. Five bucks, man. Five measly bucks. And it sounds great. That's less than the price of lunch at Burger King. What are you waiting for? Go DOWNLOAD IT now!!



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Monday, September 22, 2008

 

Gene Simmons



Gene Simmons is an awesome guy. Along with being a founding member of Kiss, he's unabashedly patriotic and hawkish on foreign policy.

I don't think we need to worry about Kiss doing an Obama fund raising show.

Gene was recently on NBC's Today show talking about his new non-musical, non-political role as the spokesperson for the AARP. That's right, Gene Simmons is the spokesperson for the the AARP. Eat your heart out, Madonna.

He also manages to slip in a quick salute to the veterans at Walter Reed and takes a cellphone call from his mom:

By the way, Alice Cooper and Ted Nugent are also conservative, thoughtful and charming in interviews.

And I've suspected for a while now, based on the way he bashes hippies and pop culture in his lyrics, that Marilyn Manson is a little bit of a closet right-winger. And the guy is outstanding in interviews. He always seems composed, reflective and very smart. He and I would disagree with regard to the method of his critique of religion ... and yeah, his image is over the top ... but the guy is really smart and I agree with more of what he says than not.

At any rate, each of these guys is a lot more interesting and seem a great deal smarter than the typical left-wing crybaby singing monkeys you see on television.

Take that, Dixie Chicks.

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Sunday, September 21, 2008

 

So Let It Be Written, So Let It Be Done



I'm still celebrating the release of the first outstanding Metallica album in almost two decades.

I've been exchanging e-mails with a few friends about the new album, and we got on the topic of how to rank each Metallica album from best to least. I decided to post my list here for the heck of it.

But first, a list of qualities that qualify me to make such a list:


And so, in order to satisfy the clamoring* for my official ranking of Metallica's albums, here's the list:

The Official SouthCon Metallica Album Ranking



* ... Note: Author apparently has no idea what the word "clamoring" means.

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Friday, September 19, 2008

 

If Ever I Would Stop Thinking About Music And Politics...



(With apologies to Disposable.)

I don't listen to Rush Limbaugh much because the guy is an asshole. I do agree with a number of his opinions, but he always makes people who believe the things I believe look bad. I can't stand the guy.

Yesterday, though, I decided to turn on Limbaugh's show on the way home from work because, you know, it's close to election day and news stories break every couple of hours.

Anyway, Limbaugh mentioned that the Grateful Dead are going to be doing a reunion show as an Obama benefit and that their guest musicians at the show will include Gregg Allman, Butch Trucks, Jaimoe, Warren Haynes, Derek Trucks, Marc Quinones, Oteil Burbridge and Jeff Chimenti.

Limbaugh couldn't even properly pronounce Oteil's last name. Oteil, by the way, is a great bass player. And you might already know how I feel about Warren Haynes and his band Gov't Mule.

Limbaugh dismissed the concert and called everyone involved a bunch of "has-beens."

I'm not sure how Limbaugh defines "has-been," but musicians in the prime of their creativity don't qualify as "has-beens" in my opinion.

I guess you can get away with dismissing the surviving members of the Grateful Dead as "has-beens" because, well, Garcia was the only member of that band with any real talent, anyway. The rest of the band was only good for grating vocals and seven hour drum solos.

But Warren Haynes, Derek Trucks and Oteil Burbridge are at the absolute TOP of their game. Those guys are amazing. Dismissing them as "has-beens" is just another instance of Limbaugh running his mouth about something he doesn't know anything about. I've noticed that he almost always does that when he talks about music or movies ... or anything other than sports or politics.

Besides, 99.999% of the rock musicians in the world are liberals. That's just how it works for some reason. And how much Ted Nugent can a conservative guy listen to before you just never want to hear Stranglehold again? If I wanted to listen to music by reliably conservative musicians I'd be stuck with modern country radio. I'd rather gouge my eyes out.

Oh, and about that bumper-music clip from the Pretenders that Limbaugh has used for years ... I'd bet you anything that Chrissie Hynde is an Obama gal.

I never really liked My City Was Gone, but now it's worse because every time I hear it, about fifteen seconds in I expect to hear some douchebag start ranting about having half his brain tied behind his back.

So I turned off Limbaugh out of disgust and heard on the news how Michelle Obama is urging people not to vote for a candidate just because "she's cute."

A clear swipe at Sarah Palin. Mrs. O tried to say that she was actually referring to "herself," but that means that she's either a transparent liar OR she actually thinks she's on the ticket.

Either way, Michelle Obama is vacuous and obnoxious. I've disliked her for a year and a half now and every time she opens her mouth publicly she gives me yet another reason to dislike her.

Boy, I just can't friggin' wait to hear four years of news stories about this biddy's shenanigans while she's the First Lady.

So then I get home and log onto the net and find out that R. Kelly has been acquitted of the charges against him. HOW DOES THAT HAPPEN? The guy VIDEO TAPED HIMSELF having sex with underage girls. That video tape WAS EVIDENCE IN THE TRIAL, and he was ACQUITTED? Who was on the jury? Michael Jackson and Jerry Lee Lewis? I guess that would be a jury of his peers, wouldn't it?

Somebody wake me when it's 1986.

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Thursday, September 18, 2008

 

My Awesome Music



After more than two weeks of literally listening to nothing but the outstanding new Metallica album I finally got a little tired of it. So today when I sat down to read blogs n' junk, I threw together a quick playlist for the Media Player.

About half way through it I began to realize that it was a REALLY, REALLY GOOD playlist. Not only the best one I've put together in a long while, but one of the best playlists I've ever even heard.

And as I sat there contemplating the talent in this playlist that I'd put together I only had one clear thought in my head: "Damn, I'm awesome."

I finally decided that it would be downright irresponsible not to share this playlist with the world. Here's a quick, sloppy screen-grab. Just in case you're ever trying to assemble the worlds most awesomest playlist, these are the songs you'll need:

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Monday, September 15, 2008

 

RIP Richard Wright



Keyboard player and founding member of Pink Floyd loses his battle with cancer. He was 65.

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So Grim, So True, So Real:



A Backward-Looking History Of Metallica

2008

Event: Release of album Death Magnetic.

After some sixteen months of internet hype and speculation, Metallica releases Rick Ruben produced ninth studio album through Warner Brothers Records.

How this is proof that Metallica has sold out: After years of lackluster experiments with other sounds and song styles, the band returns to their thrash metal roots in an obvious attempt to sell records. Long time fans proclaim that the band is "no longer relevant."

2004

Event: Film Metallica: Some Kind Of Monster documents the recording of Metallica's most current album.

Documentary reveals the inner conflicts of a band in turmoil. Key scenes involve the band's group therapist inviting himself to become a "fifth member" of the band and guitarist Kirk Hammett surfing. Guitarist/singer James Hetfield and drummer Lars Ulrich spend most of the movie shrieking at one another.

Several scenes reveal producer Bob Rock's attempts to get the feuding members of Metallica to quit having slap fights long enough to record a few tracks. Film also documents hiring of veteran bass player and all-around badass guy, Robert Trujillo.

How this is proof that Metallica has sold out: The movie reveals the band to be a bunch of spoiled, rich cry-babies. Long time fans proclaim that the band is "no longer relevant."

2003

Event: Album St. Anger is released with bonus DVD and coupon to download free audio from four concerts.

The angry, disjointed, noisy sessions during which St. Anger was recorded result in an angry, disjointed, noisy album. Listeners aren't sure why producer Bob Rock decided to create a "Fisher Price" drum sound. Lack of guitar solos and "low-fi" sound quality give the album an ill-timed, ill-conceived "grunge" feel. Rock's tenure as Metallica's producer comes to disappointing, inevitable close.

How this is proof that Metallica has sold out: The album indicates that at this point, Bob Rock is totally in control of the band. Fans worry that next album will feature Metallica simply as a backing band while Rock croons Aerosmith covers. Or perhaps they'll do a ska record. Long time fans proclaim that the band is "no longer relevant."

2001

Event: Bassist Jason Newstead leaves the band, frustrated that founders Hetfield and Ulrich won't allow him work on side-projects during his free time.

All your bass are belong to us.

How this is proof that Metallica has sold out: Newstead's departure indicates that even the members of Metallica can't stand the members of Metallica. Long time fans proclaim that the band is "no longer relevant."

2000

Event: Napster uproar.

After an incomplete demo of the song I Disappear turns up on the internet, Metallica sues file sharing services for enabling copyright infringement.

How this is proof that Metallica has sold out: Metallica doesn't understand the internet. Now that they're rich and lazy they want to squeeze their fans for every nickel and dime. Rumor spread that Lars has been drumming in an ascot and monocle. Long time fans proclaim that the band is "no longer relevant."

1999

Event: Release of S&M two-disc set.

Metallica records renditions of their songs supported by the San Francisco Symphony and composer/conductor Michael Kamen. During the performance, Hetfield refers to the song Of Wolf And Man as Of Wolfgang And Man, a reference to Mozart. Really. I didn't make that stupid crap up.

How this is proof that Metallica has sold out: And, oh, how they danced; the little children of Stonehenge. Long time fans proclaim that the band is "no longer relevant."

1998

Event: Double-disc collection Garage, Inc includes a disc of newly recorded covers and some older material that had previously been released as b-sides and on EPs.

Many fans perplexed by some of the material found on the disc of new songs, including covers of originals by Nick Cave, Bob Seger and Thin Lizzy.

The band releases a video for the song Turn The Page featuring porno actress Ginger Lynn. Seriously, that's who that was in the video.

Guest musicians on the Lynyrd Skynyrd cover Tuesday's Gone include Pepper Keenan (Corrosion Of Conformity), Jerry Cantrell and Sean Kinney (Alice In Chains), Jim Martin (Faith No More), John Popper (Blues Traveler), Gary Rossington (Lynyrd Skynyrd), Les Claypool (Primus), Ja-Rule (Murder, Inc), Natasha Bedingfield (Featuring Sean Kingston), Gwen Stefani (No Doubt), Missy ("Misdemeanor") Elliott, Cirque du Soleil, Billy Bob Thornton, The San Francisco Symphony and composer/conductor Michael Kamen.

How this is proof that Metallica has sold out: The band is trying to re-sell old material that their fans have already bought once. To make the set more "attractive" to potential buyers it includes a disc of hastily recorded covers. Long time fans proclaim that the band is "no longer relevant."

1997

Event: Album Reload released to non-clamoring fans.

Ulrich tells fans that Reload is conceptually the second disc of a double album, along with the previous release, Load.

Fans respond that Reload is conceptually a piece of shit.

How this is proof that Metallica has sold out: The album features guest vocals by 60's icon Maryanne Faithful, who appears to be singing with her throat slit. Single Fuel adopted by NASCAR for theme song in TV broadcasts. Long time fans proclaim that the band is "no longer relevant."

1996

Event: Five years of recording silence is broken with the release of album Load.

Long absent band returns with new non-metal album, short hair, eye-liner. Promotes album on Lollapalooza tour.

How this is proof that Metallica has sold out: Long absent band returns with new non-metal album, short hair, eye-liner. Promotes album on Lollapalooza tour. Long time fans proclaim that the band is "no longer relevant."

1992

Event: Jump in the fire.

Metallica tours with Guns N' Roses. Axl Rose makes headlines during the tour by exciting riots and engaging fans in fights. Not to be outdone, Hetfield climaxes Metallica's August 8th show by setting himself on fire. Gene Simmons, Alice Cooper and Screamin' Jay Hawkins simultaniously say "Damn."

Band claims that Hetfield's injuries were the result of a pyro effect gone wrong. Hard rock band Great White notes incident, vowing to never misuse pyrotechnics.

How this is proof that Metallica has sold out: Footage of Hetfield's self-immolation is not included in the concert videos that accompany the Live Shit: Binge And Purge box set. Disappointed fans get second mortgages to buy box-set only to sit crestfallen in front of their TVs without ever seeing the singer burst into flame. Long time fans proclaim that the band is "no longer relevant."

1991

Event: Self-titled Black Album released, sells seventy million zillion bajillion copies.

Metallica gets first taste of genuine cross-format commercial success with huge hits Enter Sandman and The Unforgiven.

How this is proof that Metallica has sold out: Most songs on the album are under fifteen minutes long. Some songs are based around two or fewer riffs. Album marks band's first collaboration with Bob Rock, producer noted for working on albums by Motley Crue, David Lee Roth and Bon Jovi. Ballad Nothing Else Matters suitable for playing over a boom box under your girlfriend's window. Metallica produces videos for seventeen of the album's twelve songs. Long time fans proclaim that the band is "no longer relevant."

1988

Event: Album ...And Justice For All released.

Album features new bass player Jason Newstead, who replaced the late, great Cliff Burton. New guy goes on to be Metallica's longest running bass player to date, staying in the band roughly fifteen years.

Album features muted "wow-wow" bass sound that leads fans to wonder if Newstead is actually on the album. Long-time producer Flemming Rasmussen never works with the band again.

How this is proof that Metallica has sold out: Band produces their first MTV-ready video for the song One. Video features such 80's MTV staples as Tawnie Kitaen dancing on top of luxury cars, caged go-go girls in skimpy bikinis, a blind, deaf, mute, limbless man writhing in pain, and actor Jason Robards talking about war. Long time fans proclaim that the band is "no longer relevant."

1986

Event: Major-label debut and undisputed greatest metal album of all time, Master Of Puppets, ships to record stores and malls across America.

Early copies of the album have a sticker on the front that reads ""The only track you probably won't want to play is "Damage, Inc." due to the multiple use of the infamous "F" word. otherwise, there aren't any "Shits," "Fucks," "Pisses," "Sucks," "Cunts," "Motherfuckers," or "Cocksuckers" anywhere on this record".

Really.

Fifty million teenage boys hear the album, say all of the curse words listed on the sticker in agog amazement, and run out and form bands. Metallica supports album with tour opening for Ozzy Osbourne.

How this is proof that Metallica has sold out: Band reveals obvious desire to move a lot of units by signing contract to release albums for major label Elektra Records. Long time fans proclaim that the band is "no longer relevant."

1984

Event: Band's second album, Ride The Lightning, creates major buzz.

Album features metal classic Creeping Death, the band's most consistent show-opener.

How this is proof that Metallica has sold out: Metallica's first "power ballad," Fade To Black, closes side one of the album. The song, an angry screed about suicide, features lyrics such as "Deathly lost, this cant be real / Cannot stand this hell I feel." This is an obvious attempt to score with chicks because they dig that sort of junk. Long time fans proclaim that the band is "no longer relevant."

1983

Event: Metallica releases debut album, Kill 'em All on independent label Megaforce Records.

Band begins cycle of perpetual touring, drinking, fighting and recording long songs full of a zillion riffs.

How this is proof that Metallica has sold out: In an obvious play for commercial viability, band fires original guitarist Dave Mustaine before recording, simply because he's always too drunk to play his instrument. Replaced by guitarist Kirk Hammett, Mustaine goes on to form his own successful and popular metal band, Winger. Metallica relents on original goal of naming the album Metal Up Your Ass so that record stores will stock it, hoping to sell lots of copies. Long time fans proclaim that the band is "no longer relevant."

1981

Event: James Hetfield and Lars Ulrich form a band, Metallica, and look for friends to flesh out the line-up.

Band members take turns hosting "jam sessions" in each other's parents' basements.

How this is proof that Metallica has sold out: Lars Ulrich has admitted that he stole the name "Metallica" from a fellow high school student who showed him a list of possible "cool band names." Fellow high school student proclaims that Lars is "a Danish asshole."



Note about the above time line:

Some of that crap I made up. But the stuff that I insisted was for real really was for real.

I can't imagine my life without Metallica. God bless ya, guys.

Mustaine is awesome. Winger rules.

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Tuesday, September 09, 2008

 

Streisand / Heart



Remember Heart? They had a bunch of hits in the 70's and 80's. Then they put on weight and faded into obscurity. As an obscure, fat guy, I guess I can relate. But I'm surprised at their determination to cling to their obscurity:
For Ann and Nancy Wilson of the rock band Heart, there's nothing fitting about the Republican National Convention's use of their 1977 hit "Barracuda."

That much became clear after the sisters issued a cease-and-desist order to Sen. John McCain's presidential campaign. The order seeks to bar the McCain campaign from using the song as an anthem to underscore images and appearances of vice presidential candidate Sarah Palin.

HT: Bob Parks.

I hadn't heard Heart on TV or the radio in ages when that song was used at the GOP Convention. And I guess that, as of now, I won't be hearing them again.

Then there's this, from Michelle Malkin, regarding Barbra Streisand's upcoming gig at an Obama fund-raiser:
(Streisand) will sing for her savior. And we should cheer. Because it has done wonders for all the other political candidates she has supported. When Barbra croons for you, you can kiss your chances of winning goodbye.

Good point. Streisand has performed for Hillary Clinton, Al Gore and John Kerry, all relegated to the "where are they now" file. Maybe the most patriotic thing she could do at this point is dedicate a song to Osama bin Ladin?

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Wednesday, September 03, 2008

 

Album Review: Metallica's Death Magnetic



You may have heard that the new Metallica album leaked to the net last night, and that the band is basically fine with that. Lars says
"Listen, we're ten days from release ... If this thing leaks all over the world today or tomorrow, happy days. Happy days. Trust me ... Everybody's happy. It's 2008 and it's part of how it is these days, so it's fine. We're happy."
Spoken like a guy who gets it. It wasn't too long ago that Metallica's attitude about music on the internet was ... uh ... "You can do it your own way, if it's done just how I say."

I don't mind admitting that I've been been desperately searching for a leaked copy of this album for more than a month now. So I was in the right place at the right time when a blogger who shall remain nameless posted a link last night at about 10:00 PM Eastern.

For the record, I have every intention of buying the new album on CD when it hits the stores on September 12th. But I've been a rabid Metallica fan since the '80's and I just could not wait to hear it.

I've listened to Death Magnetic about four times now. I'm so happy with it that I'm surprised that I can do anything other than roll around in the floor, kick my feet in the air, and giggle.

As of now, the self-indulgent, meandering, artsy-fartsy Metallica that made Load, Reload and St. Anger seems to be gone.

I'm glad to be able to report that, instead, the self-indulgent, meandering, artsy-fartsy Metallica that made the band's ground-breaking first four albums is back. In a big, loud way. And it's music to my ears.

2003's St. Anger was supposed to be a return to the band's thrash metal roots after several years spent experimenting with everything from alt-prog rock to faux celtic dirges to haughty, orchestral crap. But St. Anger was produced by a band in crisis, as the 2004 documentary Some Kind Of Monster revealed. Instead of re-embracing their origins, St. Anger seemed to be the sound of a band grasping aimlessly.

The combination of sobriety, group therapy, and the chops of outstanding new bass player Robert Trujillo seems to have seriously re-energized this band. In spite of it's morose title, Death Magnetic is the product of a band experiencing rebirth.

Death is a topic that pervades the album's lyrics; but there's nothing macabre here. These aren't songs that glorify death, the way a band made up of late-teens might if they were trying to come off like bad asses. If the members of Metallica are showing their (pushing 50) age at all, it's in the lyrical maturity and introspection offered here. These songs reflect on death not as a subject of fascination but as an ultimatum ... an inspiration to squeeze every damn drop of life out of every day you spend breathing. Death is magnetic ... it draws us all. But get the polarity right and you can push like hell back against it. That's the dynamic in these songs.

And, musically, this is the Metallica that those of us who've followed the band for 20 plus years know and love. The songs are long, heavy as anything, and full of freight-train riffs and jack-knife time changes. There's even a full-on metal instrumental in the tradition of Orion and To Live Is To Die. Only one song, the unfortunately titled Unforgiven III, slows the tempo significantly. That's probably my least favorite song on the album. But I gotta admit, Kirk Hammett's guitar solo in that song is one of the best on the album. I don't see me skipping this song when I listen to this disc. It'll grow on me, I'm sure.

Rejoice, Metallica fans. This is the album we've wanted for years. It belongs on the top shelf, with Master Of Puppets (their best album ever) and 91's watershed Black Album.

2008 is the year of Death Magnetic. No others need apply.




PS - a note to the 20 year old snotnose punks who'll find this review through Google and stop by to leave poorly worded, misspelled, idiotic, belligerent comments: Shut up, boy. I was listening to this band in specific and METAL in general before you were even born. I really don't care what you have to say and I'll just delete your comments as soon as I see them. Move along, Junior. I'm sure your friends are waiting for you in World Of Warcraft.

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Friday, August 29, 2008

 

The Last Johnny Cash Performance



Watching this is like being punched. Hard. So don't say I didn't warn you.

I didn't know that this footage existed. It's raw, obviously shot by a fan from the crowd. Maybe on a cellphone, hell, I don't know.

This is from Johnny Cash's last concert. It took place barely a month after the death of June Carter, Johnny's beloved wife of 40 years. ("Beloved" isn't really the word, but there isn't any one word.) The date was 6/21/2003. That's two days before what would have been June's 74th birthday.

This is hard to watch. Cash was in terrible health and was probably dealing with as much heartache as a man can feel and still keep breathing.

As a matter of fact, Cash only lived a few more months. He passed on September 12, 2003.

Anyway, here's the clip. Cash talks here about having lost June and dedicates the classic Angel Band to her. If you can make it through this without your eyes leaking you're a stronger man than I am.

There are more clips from the performance at YouTube. Click here to see them.

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Wednesday, August 27, 2008

 

Do Not Eff With Axl



A blogger who somehow obtained and posted nine tracks from the upcoming Guns N' Roses album has been thrown in the pokey:
FBI agents arrested 27-year-old Kevin Cogill on Wednesday morning on suspicion of violating federal copyright laws. Cogill appeared in court in the afternoon in a T-shirt.

Federal authorities say Cogill posted nine unreleased Guns N' Roses songs on his Web site in June. The songs were later removed.

Wow. Chinese Democracy actually exists?

Cogill's bail was ten thousand bucks and he'll be back in court on September 17th.

Now, of course, I'm far to upstanding a citizen to listen to nine illegally posted new Guns' N Roses songs.

But if I had heard them (which I haven't), I might say that a few of them are actually pretty good, that Axl's voice isn't any worse for wear after all these years, and that the absence of Slash is a real chink in the armor. I might also say that one of the songs is an overlong piano ballad in the "November Rain" tradition, and that it's the only song of the nine that I flat out dislike.

And I might say that two of the songs are really very good.

Of course, all of this is theoretical. These are things I might say if I'd actually heard the songs, which I haven't. And I'm not looking forward to putting the two songs I really theoretically liked on my MP3 player. Because I haven't heard them.

And that's all I'm going to say about that.

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Tuesday, August 26, 2008

 

More New Metallica!



Click here now!

This one reminds me of Through The Never and a bit of Whiplash.

I do kinda wish they hadn't posted this particular song. This one is the album-closer, according to the track listing at Wikipedia. I feel like I've heard it out of context.

I'm going nuts over these new songs. I've looked everywhere for a leaked copy of the album with no luck. Don't worry, Lars is going to get his money, I'm gonna buy the album on September 12. I'd just like to be able to actually listen to the damn thing now.

I've seen all kinds of sources for .zip and .rar files that are said to contain Death Magnetic, but they're all frauds.

PS - A note to 22 year old self-proclaimed "metal experts." I was literally listening to Metallica when you were still pooping in your pampers. You can't teach me a damn thing about what is or is not authentic Metallica. So shut up.

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Sunday, August 24, 2008

 

"Shawn Number Six Clown Of Slipknot!"



First of all, full disclosure: I think that Slipknot's album The Volume 3, The Subliminal Verses is a darn good metal album. Really, one of the best metal albums of the last ten years. I'm not proud of the fact that I really enjoy a Slipknot album, but there it is.

There's just something embarrassing about admitting that you like anything connected to a band that wears those painfully inane masks.

I also like Marilyn Manson a whole lot. The lyrics to "This Is The New $#!T", a seething indictment of pop culture, might be my favorite rock song lyrics of all time.

I'm just glad to get this out in the open. Ya know? So while I'm purging, I'll also admit that I once bought a Drivin' And Cryin' album on cassette. But I didn't like it and I don't know where it is now. So Fly Me. Courageous.

Whew. That really wasn't so bad. And you do feel better once you get it out in the open.

Anyway, below you'll find a video clip of a guy who who seems to be Waldo personified interviewing a couple of the members of Slipknot. The interviewer seems to be doing a character, kind of an idiot man-child thing. And the members of Slipknot seem to be responding earnestly, and yet the members of Slipknot actually come off stupider than the man-boy Waldo character. Maybe it's impossible to not come off like idiots while wearing those masks.

I got several laughs out of this four minute clip. And just to be clear, I was laughing AT Slipknot, a band which did an album that I like a lot, although it pains me to admit that I enjoy one of their albums.


My favorite part is "You hear all that metal? It's ON!"

Honestly, it's pretty bad when Flava Flav seems smarter and more savvy than you are. The Waldo guy interviews a number of celebrities at his YouTube page. Apparently he did (does?) his interviews for Much Music, which was like Canadian MTV back in the '80's and '90's. I don't think it's around anymore. Anyway, there are interview subjects going back twenty-odd years, including James Brown, Pierre Trudeau and Henry Rollins. The Waldo dude really does his research and manages to ask questions about some deeply obscure stuff, making some of these celebs viscerally uncomfortable.

(Now please click the comments link and read the obligatory "YOU SUXX!!! SLIPKNOT ARE BESST BAND IN METAL!!!!!!! YOU ARE ASSFACE STUPID MORRON!!!!" comments that this post will undoubtedly gather over time.)

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Friday, August 22, 2008

 

GAH. TOE. MIGHTY.



The first single from Death Magnetic, called The Day That Never Comes, is AWESOME!!

This clip is not a proper "video," just the single's cover art and the song. And that's all you need.

The first three, three-and-a-half minutes is just build-up. Once the song really gets going it kicks ass ... and everything between the five-minute mark and the end of the song is just pure Metallica in the best sense of the word. Man, it's good to hear Kurt shredding again.

Update: I've listened to the song four or five times now and I friggin' LOVE it. I can't get over how much it lives up to my hopes. It reminds me of One, what with it's mellow, ballady beginning and it's insane riffing at the end. If this is any indication of what the album is going to be like, I can't wait to pony up my twelve bucks to buy it next month. Lars, James, Robert, Kirk ... looks like you guys finally did right by your fans. Now, why didn't you do this in '91 to begin with and save us seventeen years of heartache? But enough bitchin'. Metallica is back. Long may they reign.

Update 2: Click here to hear short clips of several songs from the album. I'm downright giddy about this. I can't remember the last time I was this excited about an upcoming album.

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Thursday, August 21, 2008

 

The Song Of The Moment

"I have spent most of my life (like most people) avoiding transcendence at all costs, mainly because the shit hurts. Merely defining transcendence can sometimes be painful. I once heard that 'Transcendence is the act of going through something'. Ouch. I see plate glass windows and divorces.

Someone else told me that it was 'rising above whatever one encountered in one's path' but at this point in my life that smacks of avoidance as well as elitism of some sort. I am compelled to look back on years of going through, above, as well as around my life looking for loopholes to redefine everything including any and all of the ideas that I have held close to my heart along the way - Art - Freedom - Justice - Revolution - Love (a big one) - Growth - Passion - Parenting (a really big one) - and I find that for me, for now, transcendence is about being still enough long enough to know when it's time to move on."

--Steve Earle




Steve Earle -- Transcendental Blues:


In the darkest hour of the longest night
If it was in my power I'd step into the light.
Candles on the altar, penny in my shoe,
Walk upon the water.
Transcendental blues.

Happy ever after 'til the day you die,
Careful what you ask for, you don't know 'til you try.
Your hands are in your pockets, staring at your shoes
And wishing you could stop it.
Transcendental blues.

If I had it my way, everything would change.
But out here on this highway the rules are still the same.
Back roads never carry you where you want them to.
They leave you standing there with the
Transcendental Blues.



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Wednesday, August 20, 2008

 

It's The End Of The World As We Know It



Lots of big, scary news today.

Man, I'll be glad when I go back to work (this coming Monday, God willing) for a number of reasons. One of them, the reason that's on my mind right now, is that when I go back to work I won't be sitting here all day and night watching the cable-news talking heads and clicking every link at Google News and getting the living crud scared out of me.

Today there's all kinds of bad news. I think we can all agree that the world will probably come to an end by about 6:00 PM this evening. I just hope there's time to finish dinner first.

Here's some of the news stories that I'm freaking out about:



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Tuesday, August 19, 2008

 

A Song Worth Remembering



Stupid radio. What in the name of all that's good and righteous gets into the heads of some program directors? What causes them to continue airing songs like Let Me Clear My Throat and What's Up? and Cotton-Eyed Joe in 2008?? Haven't we, as a species, come further than that by now?

I mean, damn!

But now and then a random radio station will miraculously broadcast a great older song that you've long forgotten. Like this one:


It's under my skin but out of my hands.
I'll tear it apart, but I won't understand.
I will not accept the greatness of man.


That's one of my all time favorite passages from the annals of pop lyrics. It honestly gives me chills. At the risk of coming off like a total Nancy-boy, that's the truth. It gives me chills.

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Tuesday, August 12, 2008

 

Cyanide



The first song that most of us have been able to hear in it's entirety from the new Metallica album:


It didn't grab me the first time I listened to it last night. It just kinda went in one ear and out the other.

But I listened again today, and maybe the key was that I listened rather than watched. I minimized the browser window and didn't look at the YouTube clip, I just listened to the song. The second time through I enjoyed it more. I wouldn't say I "loved" it, but I did enjoy it, and it might grow on me. I'm still super excited to hear the whole album.

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Sunday, August 03, 2008

 

Blinded By The Light



Now and then, I suppose, each of us needs to spend a little time in quiet contemplation, trying to puzzle out the lyrics to Blinded By The Light.

There's a lot of information about the song floating around on the internet, but very little of it seems to be a matter of consensus. Everybody agrees that the song was written and originally recorded by Bruce Springsteen. Everybody agrees that the version recorded by Manfred Mann's Earth Band was the bigger hit single. After that it's all chaos.

This MSNBC page has a number of handy links, including the official Springsteen lyrics and the lyrics as recorded by Manfred Mann. But knowing the words that are actually being sung doesn't make it any easier to figure out what the song is about.

Of course everyone thinks that Manfred Mann's version has a line about being "Revved up like a douche," which makes no sense. The Manfred Mann lyrics page clarifies the lyric as "revved up like a deuce," and the original Springsteen version goes "cut loose like a deuce."

And that doesn't make any sense, either. A deuce? Huh?

Wikipedia says that a deuce is slang for a DUI in California. So does the song glorify driving while intoxicated in California? Probably not. Springsteen is famously from New Jersey, not California.

Princeton says that one definition of a deuce is "a devil." OK. Revved up like a devil? Cut loose like a devil? Of course, a deuce is also a tied game in tennis. But that doesn't make any sense, either. And the two-cards in a deck of cards are also called deuces. But that definition doesn't really help decode the song.

This page says that a Deuce is a 1932 Ford. That kinda makes sense. You can rev up and/or cut loose a car. So that works. And this page at the Song Facts website agrees that the "deuce" in question is a "1932 Ford Hotrod."

Not that I really trust the Song Facts website. After all, it also contains the following tidbits:
...he was coaching his son's little league at the time, and wrapped up like a duece refers to a double play,with runners in the night...

Oh, OK, it's a baseball song. So the "Indians in the summer" referenced in the first line must be the Cleveland Indians. And late in the Springsteen version when Bruce sings "Well I jumped up, turned around, spit in the air, fell on the ground," he must be talking about signaling to the pitcher. You know; "throw your slider, Meat."

Oh, no, wait: Tommy in New York says that
"indians in the summer" refers to bruce's childhood baseball team, the indians

Ah. OK. Screw Cleveland.

The Cyberpope in Richmond, Canada offers the following:
I thought it was "break ope' like a douche. . ." & just imagined it was referring to a horrible, horrible grossness

Thank you very much for that vaguely disgusting image. You're not really the Cyberpope, are you? I don't think the real Cyberpope would post anything like that. I think the real Cyberpope would have come up with an interpretation like the one submitted by Andrew in Apex, NC:
This song is about Paul's conversion, as told in the Acts of the Apostles. The verses retell the story as a present-day singer trying to get a gig. It uses several metaphores in a stream-of-conscienceness style.

Well, of course. The lyrics are clearly VERY biblical now that I know that. All they need is a slight change and they're straight out of the New Testament:
"And, lo, little Early Pearly hath come by in his curly wurly. Verily, thus he spake: 'Needeth thou a ride?'"

No, that won't hold water, either.

Gene in Sterling Heights, MI says
Regarding Graham's comment on meaningless lyrics, "Go-Kart Mozart was checkin' out the weather charts, etc." is somewhat cryptic but translates thus. "checkin' out the weather charts" refers to the song "Wreck of the Edmund Fitzgerald." Go-Kart Mozart is the writer of the song, who raced go-karts at that time. The lyric refers to Gordon Lightfoot.

Over at the MSNBC page, JB takes issue with that interpretation:
So "Blinded By the Light", released in 1973, references a 1976 song about a 1975 shipwreck? I guess that's why Brucie is the megastar he is. What foresight!

OK, scratch the Lightfoot interpretation.

Margret in Chicago says:
The line "In the dumps with the mumps as the adolescent pumps his way into is hat." pretty strongly hints at masturbation.

Yes, it does. It also strongly hints at a ruined hat. His HAT, for Pete's sake? Why his HAT? I mean, SURELY there was a better option.

Man, to heck with trying to figure this song out. I can't even decide on a definitive version of the song. Springsteen wrote it, so you'd think his version would be definitive by default ... but Manfred Mann rearranged the song so dramatically, and the Manfred Mann version is by far the better known of the two. So it's hard to pick.

Here's the Springsteen version:




Here's Manfred Mann's Earth Band:

Both awesome in their own ways. But I think I have to give my vote for the definitive version to these talented performance artists who express the song's complex and profound themes through interpretive dance:



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Thursday, July 24, 2008

 

Keep It On The Download



How much cooler and funnier than Lars Ulrich is Kid Rock? A whole bunch much cooler and funnier:

Language Warning: Kid Rock uses the Eff Word.

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Thursday, July 17, 2008

 

Nervous Anticipation



My hopes are high for the new Metallica ... and part of me thinks that I'm setting myself up for a major let-down.

Then I see stuff like this clip of the band working on one of the songs and I just get flat-out giddy:


Oh, please, oh, please, oh, please ... let them have just one more good album in them.

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Thursday, July 03, 2008

 

Current Distractions



Just a quick note; I'm still alive, still waiting for my bladder to heal post-surgery, still dashing to the bathroom every seven seconds (or so it seems).

Here's a quick list of the distractions that have been preoccupying me for the last few days. Consider these the reasons I haven't been blogging much.



Hope everybody has a good 4th! I'll blog more when I have fewer distractions.

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Wednesday, July 02, 2008

 

Wise Up





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Tuesday, June 24, 2008

 

Bass! How Low Can You Go?



So the number of people in our family who own musical instruments that they can't (yet) actually play is now three.

I have an acoustic guitar. It sits in a corner in our bedroom and mocks me. Every time I walk past it it quietly snickers and occasionally whispers "Psssst! Hey! When was the last time you actually picked me up? You might as well have bought a rocket launcher the day you bought me."

My son owns an electric guitar, and to his credit, he does take lessons. I have to wonder, though, if he originally wanted a guitar because of a deep drive to create music or because of another time-honored reason: chicks dig guys who play guitar.

Today Liam became the first person in our family to pursue a future as a bass player. He started talking about wanting to get a bass guitar quite a while ago, but Wendy and I quietly discouraged him. We were afraid that he thought that playing bass would be as easy as playing Guitar Hero, a video game he's actually very good at.

But Liam persisted, and made up his mind that if we wouldn't buy him a bass, he'd by-God buy one himself. So for months every dollar he received from the Tooth Fairy or for a birthday or a holiday, whatever, went into Liam's bass fund. And whattaya know if he didn't eventually save enough money to buy himself a bass. Fed Ex brought it today and he spent some of the evening studiously watching the included instructional DVD and plucking away.

That bass is bigger than he is. But he seems pretty serious about it. Good for him.

Liam got me thinking about bass guitar today, how much I enjoy good bass guitar and how important a good bass player can be in a band. So I did what bloggers everywhere do when confronted with such a topic. I made a top-ten list and even put together a YouTube video.

You can watch it here, a two and a half minute tribute to my ten favorite kings of the bottom end:



Just a bit of explanation ... here's how these ten guys ended up on my list:



So there's my list. Keep in mind that it's just a list of MY favorite bass players. And I know that bass fans everywhere could look at my list and take offense. I've left off legendary players like Charles Mingus, Flea, Stanley Clarke, Les Claypool, Sting, Phil Lesh, John Entwhistle, Roger Glover, and Geddy Lee. I'm not trying to knock those guys. There's nothing wrong with any of 'em and they're all good at what they do. But the ten guys listed above; well, that's my list.

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Wednesday, March 26, 2008

 

News N' Roses





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Tuesday, March 18, 2008

 

Junk Dump ... Still More Junk



I took the online Asshole Rating Test and apparently I'm not a total asshole:


Of course, I could be deluding myself. Find out if you're deluding yourself, too, by taking the test.




I'd really like to include links so I could credit the sources of the rest of these, but I can't. You know how it goes; you see a funny image, right click and save, and then you can't remember where you found it.

Anyway...



A sex change we can believe in.






I just happened to stumble across this picture of Counting Crows singer Adam Duritz and man he's looking rough these days. I thought that was Bruce Vilanch at first.







Sometimes what nature does with snow is waaaaayyy cooler than anything we could do with it ourselves. Take one propane grill, add snow, let some of it melt and hey-presto! Storm Trooper Skull Thing!







"What you are trying to do worked. Do you want to try again or give up?" Must be a Windows Vista thing.





NO, wait, THIS is DEFINITELY a Vista message. If something worked right, there MUST have been an error.




Beware the Argentine Gnome!



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Thursday, March 13, 2008

 

What's UP With THAT?





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Wednesday, March 12, 2008

 

Death Metal Doggie



Mosh it up, Rover.



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Thursday, March 06, 2008

 

Links and Links





That's all for now. Have a great weekend.

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Monday, March 03, 2008

 

New Nine Inch Nails Is (At Least Partly) Free



Nine Inch Nails has finished a new album, an all-instrumental effort called Ghosts: I-IV, and the band is giving some of the music away for free over the internet.

You can download the first quarter of the album for free at the NIN homepage, and if you like it, you can buy the whole thing for just five bucks.

According to Trent Reznor, the musician who basically is Nine Inch Nails, this album is a direct result of his having finished his last recording contract. From Billboard.com:
"I've been considering and wanting to make this kind of record for years, but by its very nature it wouldn't have made sense until this point," says Reznor, who collaborated on the music with Alan Moulder, Atticus Ross, Alessandro Cortini, Adrian Belew and Brian Viglione. "This collection of music is the result of working from a very visual perspective -- dressing imagined locations and scenarios with sound and texture; a soundtrack for daydreams. I'm very pleased with the result and the ability to present it directly to you without interference."

Demand for the free/cheap music has been tremendous, causing the NIN webservers to crawl to a halt as fans download the project. Reznor says he's trying to get more servers up to meet the demand ... meanwhile, if you check around, you'll find other places to download the free content.
I'm downloading the free tracks now and look forward to giving them a listen.

In my opinion, Reznor has done some brilliant work in the past. The NIN album The Fragile is easily the creative high-watermark of the industrial rock era. Almost ten years later, The Fragile holds up as a highly entertaining and compelling listening experience. However, more recent NIN efforts have been fair to lackluster, with last year's Year Zero ultimately turning out to be a real disappointment.

I'm glad to have a chance to hear a sizable chunk of NIN's new material before I commit a dime of my own money to it.

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Monday, February 25, 2008

 

Springsteen and Oscars and Vista, Oh My



I intended to do an Oscars post today, even though I'm generally ambivalent about that whole dog-and-pony show. I thought I'd write something this year, though, because I actually saw a number of the nominated films this year ... and because I thought that the big Oscar-sweeping movie this year really was the best movie I saw in 2007.

But it ain't gonna happen (the post I'd planned) and I'll tell you why:

For one thing, I decided for some reason or another to sit here tonight at the computer and listen to Bruce Springsteen ... and it seems that the Springsteen songs that I enjoy most (like this one and this one, by far my two favorites) all come off like suicide notes if you actually pay attention to the lyrics ... which I don't recommend because it'll really throw a wet blanket on your good friggin' mood.

And for another thing, we bit the bullet and got a new computer and it runs Windows Vista, which is clearly an operating system that was created by crack-addicted, satan-worshiping monkeys. Rather than write a whole blog post about how much I hate Vista, I'll just cut and paste from the haphazard e-mail I sent to the Governor and Jamie earlier today:
I just want to say, totally off topic, that WINDOWS VISTA SUCKS. That calls for all caps, too. We got a new PC yesterday and I've spent the past twenty four hours trying to use Windows Vista and it is the worst OS I've ever used. Windows ME was better. This damn thing locks up every couple of minutes. This compuer came with three gigs of memory and it's like I'm trying to run Doom 3 on an old 32 mghz system. Plus, for some damn reason, It will only allow file names that are fewer than a certain number of characters. This TOTALLY f--ks up my MP3 file naming system. I really despise Vista after one day of use and I'm thinking about going to get a copy of XP and installing it on this thing. This PC has three gighz of memory and a 320 gig hard drive, it would absolutely HUM with XP. Vista seems to be far more trouble than all it's pretty little bells and whistles are worth.

Thank you, Bruce and Bill Gates, for screwing up my evening. Clearly I'm the victim of some sort of Redmond-via-Asbury Park conspiracy.

So I guess what I'm trying to say, as I do this time every year, is screw the Oscars.

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Thursday, February 14, 2008

 

Zebra



Rather than actually writing anything today, I'll just encourage you to check out The John Butler Trio and their super-catchy song, Zebra.


I'm still trying to figure out where and why and how my taste in music took a radical turn a few months ago and ended up in Hippyville. Oh, well. Jam on, brother. Jam on.

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Sunday, January 20, 2008

 

Cortez The Killer



Rock and roll just doesn't get better than this:


The Dave Matthews Band, featuring the great Warren Haynes, on Neil Young's classic Cortez The Killer.

Wow. Damn. Wow. I heard this recording some months ago and I'm glad to find that a YouTube video exists. Listen to Warren's soloing and you'll see why I call him my favorite rock guitarist. Listen especially to the solo that begins around the 6:10 mark. Warren wordlessly conveys more about pain, rage, regret and hope with that solo than all the poetry in the world.

Wow.

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Wednesday, November 07, 2007

 

Amy Winehouse: "Baaaaa Mwuh Maaaa Bwaaaa Muhhaaa"



I like Amy Winehouse, believe it or not. And I now realize that she's a genius on the same level as Bob Dylan:

Found 'em both at Rolling Stone.

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Tuesday, November 06, 2007

 

Flops



Spinner.com has an interesting list of the twenty-five most monumental flops in music history. Flops of all kinds are always interesting if only because of what they say about our culture in general ... and what we end up liking or disliking or just flat-out hating.

Just a few observations about some of what's on the list:

I never can get used to the idea, generally accepted by everyone, that U2's album Pop is a flop. I think that there are several good songs on there, and that some of them are very good. Flop? Maybe commercially, but it's not a bad record.

Green Day's Warning was actually the last album that they did that I thought was any good at all. Not that it was that good.

Should the Kevin Federline album really be on this list? I think it lived up to everyone's commercial and artistic expectations. Who really expected this thing to do well? I mean, other than Federline and Britney?

Wendy really likes Altered Beast, Matthew Sweet's supposed flop.

I didn't know the Knack even did more than one album.

I'd forgotten that Paul's Botique flopped at first. At least with regard to album sales. It is a good album, though.

Why does Robbie Williams keep flopping? His stuff is at least as good as the stuff that actually gets played on top 40 radio.

Paris Hilton's album. Ha ha!

In my opinion, the album ranked at number two on this list should really be number one. It's shocking that a singer who had never had a commercial misstep did something this phenomenally stupid.

How can Otis's favorite album not be included on this list? It was a GIGANTIC flop! You can buy it at Amazon for a penny, fahcryinoutloud!

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Thursday, October 25, 2007

 

Have I Heard That Before?



It's a common observation among heavy metal (and rock) fans: "Hey, that song sounds just like that other song!" Sometimes this observation leads to arguments about who is or isn't guilty of stealing riffs, especially if it's particularly accurate.

A YouTube user called BakNBlack has put together a number of clips that feature back-to-back comparisons of a number of songs. Some of his observations are surprising, especially if I was previously familiar with both songs but never noticed the similarities. BakNBlack says he isn't accusing anyone of ripping off anyone else, he's just making note of the similarities in the good natured, fun spirit of rock and roll.

Here's his most recent clip:


He has quite a few more if you enjoyed that.

Hat Tip: The Governor.

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Wednesday, October 17, 2007

 

Mule In Richmond



About two months ago I was exposed to the music of Gov't Mule and I absolutely flipped. I couldn't remember the last time I heard a band that good. As a matter of fact, the last time I went this completely head-over-heels for a new band was back in '85, the first time I heard Metallica.

Gov't Mule isn't a new band, but they were new to me when I heard them in August. This really is the best band I've ever heard, and they're basically the only band I've listened to since late August (much to the frustration of my wife and friends, who wonder when I'll stop listening to the Mule exclusively.) Shortly after I got interested in the band I checked their tour agenda for autumn and I was thrilled to find out that they were coming to Richmond, easily within driving distance. Wendy agreed to go see them with me, tickets were bought, and I spent all of September and the first half of October basically unable to think about anything else.

Wendy and I arrived at Toad's Place about an hour before the 7:00 PM door time. The line was pretty packed by 6:30, and an enthusiastic crowd was inside to greet opening act Grace Potter and the Nocturnals at 8:00. The openers played for an hour, and I can report that Grace Potter and the Nocturnals are a real-life, honest-to-goodness band. Real musicians, real songs, good old-fashioned rock and roll. I wish I were more enthusiastic about them, since they're making the kind of music that I think needs to be supported. And I do think that Grace Potter is going to hit the big-time pretty soon. But the truth is, I was in Richmond to see Gov't Mule and sitting through Grace Potter's set was, for me, just a slightly more interesting way to kill an hour than staring at the floor.

Gov't Mule came on at 9:30 and played until somewhere around 12:50. Ah, man, what an amazing show. The first set was like a dream for me ... if the band had let me chose the songs for the first set, I couldn't have customized a better one.

And let me just say that Warren Haynes is a god. The founder of Gov't Mule (and also full-time member of the Allman Brothers Band) is just about the best musician I've ever seen play live. He's a damn good songwriter, a great singer, and an absolutely amazing guitarist. You just can't do any better than Warren Haynes.

Here's the setlist for the night, and I can't wait to buy this show at Muletracks.

Set 1:
Slackjaw Jezebel
Larger Than Life
Don't Step On The Grass Sam (Steppenwolf Cover)
Rocking Horse
Lay Your Burden Down
Mr. High & Mighty
Red House (Hendrix Cover)
Bad Little Doggie
How Many More Years (Howlin' Wolf Cover, with Higher Ground tease)

Set 2:
A Million Miles From Yesterday
Thorazine Shuffle
When Doves Cry (Prince Cover)->
Beautifully Broken->
When Doves Cry->
Beautifully Broken
Pygmy Twylyte (Zappa Cover)->
Trouble Every Day (Zappa Cover)->
Drums
Child Of The Earth
Three String George
32/20 Blues (Robert Johnson Cover)

Encore:
Long Distance Call (Muddy Waters Cover)


You can check out pictures from the show at Gov't Mule's "On The Road" page. And here are a few crappy pics I took with my cellphone.

I'm happy to say that Wendy loved the show, too, and I think she finally gets my obsession with Gov't Mule. In fact, the word Wendy used to describe the first set was "amazing." I couldn't agree more.

If you haven't heard Gov't Mule, here are a few songs you can stream from my site if you'd like to check them out:










And if you get the chance to see them live, don't miss it. I think it's safe to say at this point that Gov't Mule has become my favorite band over the past couple of months, and seeing them this past Sunday only confirmed for me that they really are the best band I've ever heard.

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Friday, October 12, 2007

 

Very Busy, Mule Ahead



I haven't had a lot of time to blog for a few days ... more importantly, I haven't had time to read (and comment at) the blogs I enjoy, so my apologies to those I've neglected.

I've been working some trades so that I can have Sunday off so that Wendy and I can go to Richmond to see the amazing Gov't Mule in concert. I'm sure I'll write a concert review after the show, raving about how great they were. Here's just a little sample of what I look forward to enjoying on Sunday:



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Thursday, September 20, 2007

 

Mindfunk



Does anybody else remember a criminally underrated rock band from the '90's called Mindfunk? No? I didn't think so.

Just a brief bit of history: Mindfunk was made up of former members of Celtic Frost, M.O.D. and Soundgarden. Their first album, released by Sony/Epic, isn't all that great. It's not much more than basic hair metal; slick production, simple riffs, etc.

Their second album, however, is really something special. Dropped, so named because Sony/Epic dropped the band after their first album flopped, is an outstanding slab of stoner rock. Imagine a band as funky as the Chili Peppers and as doomy as Black Sabbath. That's what the second album delivers. When I finally do my long-pondered awesome albums that nobody has ever heard post, Mindfunk's Dropped will be featured prominently.

A total of two people bought Dropped, me and my buddy Jamie, and the band once again lost their record deal.

Their third album, which wasn't even released in the US, is called The People Who Fell From The Sky. I've looked for it off and on for ages, and finally had the brilliant idea (thanks, Wendy) to check Half.com. There is a copy there for ten bucks. I might just finally get it.

Just wanted to throw this out there. Mindfunk is a darn good band that fell between the cracks and, unfortunately, there's hardly even any mention of them on the internet. I wanted to add my voice to that small, dedicated din.

A few Mindfunk resources:



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Tuesday, September 11, 2007

 

Stark And Haunting



Joe Henry's voice isn't instantly accessible, make no mistake about that. But he's a heck of a songwriter. His song King's Highway tells a story that might even be too bleak for Johnny Cash to have recorded. This song gave me chills when I actually listened to the story. Gov't Mule does a great cover version, but this video features Henry performing it himself:


For those of you who're curious, but don't want to watch the music video, the lyrics to King's Highway are:


I might just change my mind
Sometimes you can never tell
Where a story will unwind
Or how deep is a shallow well

Sometimes you would never guess
Who's all talk and who just might
Find a way or lose themselves
On the King's Highway tonight

I am just like many more
Who lie in bed still and numb
Waking up and I can see
Just how dark it has become

Who knows no better angels now
Who knows none but an earthly light
Who's waiting for a stranger
On the King's Highway tonight

Wasn't how I had it planned
When it finally came around
I took a man with my own hands
But I held him close when he went down

He hadn't time to be afraid
His look was only of surprise
Staring up from where he laid
On the King's Highway tonight

I took the little that he had
Only as an afterthought
He wouldn't have to feel so bad
To think I killed him just because

He was passing through this town
Only 'cause he looked about right
He stopped when I flagged him down
On the King's Highway tonight

I might just change my mind
Sometimes you can never tell


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Monday, September 10, 2007

 

Campaign Tunes



Now that Fred Thompson is officially in the 2008 Presidential race, the big question on everyone's mind is, of course, what's his campaign theme song going to be?

I think we were all underwhelmed in June when Hillary Clinton announced that her official campaign theme song was going to be You And I by Celine Dion … a song that I don't think I've ever even heard. Which is surprising, since Celine's had about a thousand hits and I thought I'd heard most of them.

A search for campaign theme songs at Google brings up very little, and most of what does come up involves Hillary and that Celine song, anyway. So considering that most of the people running for POTUS in '08 don't seem that concerned about their theme music, I thought I'd make a few suggestions.



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Thursday, August 30, 2007

 

The Concert Diaries



In October, Wendy and I are going to see Gov't Mule at a club in Richmond. Gov't Mule is the first rock band I've heard in something like 15 years that I've actually liked enough to plan to see live. My last rock concert was Nine Inch Nails in Winston-Salem, NC, in November, '94. Since then I've only seen one nationally touring act (Lyle Lovett, an adult-contemporary/folk/jazz/country performer).

In the 80's and early '90's I saw a buttload of bands in concert … mostly hair metal bands since it was, after all, the 80's and early '90's and I was a teenager and hair metal was my thing.

I figured that since this blog is the closest thing I'll ever have to a diary I'd go ahead and post a brief "concert diary" while I can still remember the bands I've seen live. The following is a list of the bands I can remember having seen in concert, along with a brief memory or two about the acts.

AC/DC
One of the best bands I've ever seen live. I saw them in '88, I think. AC/DC is always reliable as a fun, energetic, good-time rock band. I was thrilled with how much of their older material they performed. I remember being giddy with glee when they played the opening riff of "Whole Lotta Rosie."

Aerosmith
I saw Aerosmith around '92. The most memorable thing about this show was that it was the only concert I ever attended with a girl with whom I was on a first date. It was kind of a distraction. Aerosmith was OK, I guess.

The Allman Brothers Band
The Allmans put on a great show when I saw them in the early '90's. Interestingly, their lead singer and guitar player at the time was Warren Haynes, the singer and guitar player who impresses me so much in Gov't Mule. So although I don't remember him, I'm 99% sure that I've already seen this remarkable musician play live.

Tori Amos
I saw Tori on tour in support of her Little Earthquakes album. She didn't have a band, just her and her piano. It was a really great show. She's an outstanding entertainer.

B.T.O.
I saw the "Taking Care Of Business" band in the late '80's. I remember someone threw a full "Big Gulp" size cup of soda and ice and hit Randy Bachman in the chest. Uncool. He brushed it off and kept playing. Very cool.

Clint Black
A popular country artist from the early '90's, Clint put on a decent show. His opening act was Lorrie Morgan. Anybody remember her?

Bon Jovi
The main thing I remember about Bon Jovi is that they are one of only two rock bands I ever saw live who didn't curse or use any vulgarities at all during their performance. Even in my teenage years that impressed me. It made them seem confident in their music.

Garth Brooks
I gotta say, Garth went out of his way to entertain his audience, and judging from the way my girlfriend at the time reacted, Garth did a good job. I wasn't much of a fan, but I don't remember having a terrible time at this show.

Cinderella
The main thing I remember about Cinderella was that they were a tall band. The average member was probably 6'. Maybe 6'3" with hair, 6'5" with hair and heels.

The Cult
This band produced one of the best and most underrated, underheard rock albums of the '80's. When I saw them their drummer was Matt Sorum, who went on to later fame drumming for Guns N' Roses. The Cult was a good live band, playing crowd-pleasing, competent, note-for-note reproductions of their live tracks.

Disposable Heroes Of Hiphoprisy
Remains the only hip hop band I've ever seen in concert. They were pretty good, I enjoyed their set. The cool thing about Disposable was that they played live music rather than just rapping over prerecorded tracks. Their guitarist was Charlie Hunter, who has since made quite a name for himself in the world of jazz.

Gibb Droll
I'm including Gibb here even though he's a bit of a regional artist and most of you have probably never heard him, except maybe through his work with Keller Williams or as a performer at The Gathering Of The Vibes. Gibb is an electric guitar player in the Jimi Hendrix/Stevie Ray Vaughn tradition, and he's really very good. He does a lot of session work now and occasionally produces a solo album, but back in the day he used to tour as the guitarist and singer in a three-piece band. I saw Gibb and his band play, damn, I don't even know how many times. I never saw a bad show. This guy is a great entertainer, a damn good songwriter and musician, and an all-around nice guy. I've been waiting for him to finally get his "big break" for more than ten years now.

Dokken
I saw Dokken in '88, I think. I have absolutely no memory of their set. You know, it's probably better if a band makes a bad impression (like Poison) than no impression at all.

Foreigner
I saw Foreigner during the height of their "I Wanna Know What Love Is" popularity, back when they had the original members of their classic line-up. They had a lot of lasers and dry ice and a big choir with them. This was the first rock band I ever saw live, I was maybe 14 or so. I was quite impressed.

Four Non Blondes
I saw them open for Aerosmith. They sucked. Their lead singer was Linda Perry, who is now a producer and songwriter responsible for a number of bad current hit records. Apparently she isn't through messing up my life yet.

Giuffria
Who the hell are Giuffria? I was asking that when I saw them live and I'm still asking that. OK, thanks to the internet, I do have a bit of interesting trivia about this band. Giuffria's lead singer was David Glen Eisley, who I remember cursing an excessive amount during their show. Even if you've never heard of him, you have probably heard him sing if you're a Spongebob Squarepants viewer. It seems that Eisley is the singing voice of Spongebob in the Band Geeks episode of the show. He sings the song "Sweet Victory" in that episode. So when I saw the little known rock band Giuffria in concert, I was entertained by the spectacular vocals of Spongebob Squarepants.

Great White
The best thing I can say about the Great White set I saw is that I survived it. After the band's irresponsible use of pyro lead to a fire a few years ago, I considered getting an "I Survived A Great White Concert" T-shirt. The second best thing I can say about the Great White show I saw was that they were the best unofficial Zeppelin cover-band I ever saw.

Merle Haggard
A true legend of country music. I enjoyed his set, although I remember that the guy had this really crazy looking glint in his eye while he was performing. Merle might be a little touched in the head.

Indigo Girls
I've seen the Indigo Girls play live twice, and both times I had a great time. One time they played a few requests from the crowd, including one song they didn't know ("Me and Bobby McGee") that they tried to work out for the first time on the spot. I've never seen another nationally touring band do that. The Indigo Girls are the best lesbian folk-rock duo I've ever seen in concert (though not the only one). In fact, the Indigos are probably one of the top fifteen lesbian folk-rock duos in the US, right up there with The Murmurs, Tegan and Sara and Tenacious D.

Kingdom Come
A Led Zeppelin wannabe band that opened a rock festival I saw in the late '80's.

Little Feat
Like the Allmans, who I saw after the death of Duane Allman, I saw Little Feat after the death of their founder and leader, Lowell George. Nonetheless, Little Feat was still made up of a number of damn good musicians, and I remember that I thought that they were very good live.

Lyle Lovett and His Large Band
Lyle Lovett and His Large Band is both the name of one of their albums and the name of Lovett's touring outfit. They're a remarkable assembly of players and singers. Wendy and I saw them three or four years ago, and they sounded great. We were both a bit disappointed, though, in Lovett's decision to play mostly brand-new material.

Marilyn Manson
Apparently, Marilyn Manson failed to shock or scare me since I saw him and his band open for Nine Inch Nails and have no memory of their performance.

Metallica
I saw Metallica three or four times in the '80's and early '90's. They really are one of the most consistently entertaining and worthwhile rock bands I've ever seen. I never saw them have an off night. They always sound good and always play for a long time. Plus, when they play live, their songs have a kind of loose groove that isn't there on the albums. They're awesome live, well worth seeing.

Motley Crue
I saw Motley Crue two or three times in the '80's. They were fun live, but extremely cheesy. For instance, one of the conventions of rock shows is that the band will come out and play for a while and then say "Thank you, good night!" They'll then go back stage and the crowd will stay in place and the house lights will stay down and the crowd will chant and the band will come back out after ten minutes and do a few more songs. It gives the impression of an "on demand" encore, but it's conventional. I've never been to a rock show where this didn't happen. Anyway, one time when I saw Motley Crue they did the "Thank you, good night!" bit and went off stage … and then a big electric sign behind the stage started flashing the word "CRUE CRUE CRUE CRUE," which, of course, prompted the crowd to chant for ten minutes. Then the band came back on stage and Vince Neal said something like "Boy, you guys must want some more, huh?" Gimme a break.

Nine Inch Nails
My ears rang for weeks after seeing NIN in '94. They were the loudest band I've ever seen and may have been violating noise ordnances when I saw them. They were also very good live. I thoroughly enjoyed their painful set.

Ozzy Osbourne
The most interesting thing about the Ozzy Osbourne show I saw was that, at the time, Ozzy was touring with Geezer Butler on bass guitar. Ozzy and Geezer were, of course, founding members of Black Sabbath. Now, at the time, guitarist Tony Iommi was the only original member still in Black Sabbath. So when I saw Ozzy, I saw more original members of Black Sabbath than I'd have seen at a Sabbath show. Also, Ozzy's guitarist on that tour and at that show was Zakk Wylde, a good musician and bandleader in his own right. Zakk's guitar playing during "Paranoid" produced the best version of that song I've ever heard.

Poison
Poison may be the worst band I ever saw live. Bad singing, bad playing, bad sound, bad showmanship, bad songwriting, bad make-up, bad costumes, bad conduct and bad hair. Other than that, fine show.

Primus
Primus had the worst sound mix of any live band I've ever seen. The music was one loud, fuzzy throb. I didn’t enjoy their set.

R.E.M.
I saw them touring in support of the album Green, on election day, 1989. This was the day that Virginia screwed up and elected the likable but incompetent Doug Wilder, which I thought was a good thing at the time. I drug my friend Jamie to this show and he had a miserable time. I had an OK time. REM's opening act was some band I've forgotten (it was the band Pylon, thanks for the reminder, Jamie), and their lead singer was visibly pregnant. She remains the only visibly pregnant singer I've ever seen open for R.E.M.

Ratt
I'm not even sure how many times I saw Ratt in the '80's. Maybe four times. They were a reliably middling-to-awful band. Their singer sucked. Their guitarists sucked. I thought they were awesome at the time, though, because I was easy to please.

Tony Rice
The best musician I've ever seen play live, and my favorite guitar player of all time. I saw him do a set with Peter Rowan, another legend in the bluegrass arena, but I hardly remember Rowan's presence. Rice is the man as far as I'm concerned. After the show Tony came out and socialized with the fans, so I got to meet him and thank him for the positive difference his music has made in my life over the years. He seemed genuinely touched by my gratitude. Tony Rice is the coolest guy in the world.

Sawyer Brown
Another of the country bands I saw in concert during my years working in country radio. You get the tickets for free, so you figure, heck, I might as well go. I have no memory of their set.

The Scorpions
I saw this band around the time of their mega-popular live album, World Wide Live. They sounded very good live. This was a band that had been touring, recording and performing for some fifteen years by the time I saw them, and they were tight and talented.

Shenandoah
Shenandoah was a popular country band in the '80's and '90's. If you weren't listening to that kind of music at that time, you don't remember them. They were, in all honesty, the best country band I ever saw in concert. (Notice I said "country," not "bluegrass." I've seen a bunch of better bluegrass players.) Anyway, Shenandoah played their hits along with a number of James Taylor and Dan Fogelberg covers and ended their show with an impressive (and utterly unexpected) cover of Led Zeppelin's "Heartbreaker." I went home happy. I think my girlfriend at the time (the Garth Brooks fan) was a bit baffled by their song selections.

Slayer
Slayer was really outstanding live. I saw them in a club in Hampton Roads, Virginia, touring in support of Seasons In The Abyss. They opened their show, if I remember correctly, with "Raining Blood," one of their heaviest songs. The played hard and fast and loud and never made a misstep. The Governor saw that show with me and has since seen them a number of times, and he has never reported a bad show. If you like loud, aggressive thrash metal, Slayer is the band to see live. And, by the way, Slayer is the only other rock band (along with Bon Jovi) that I've seen play live who never uttered a single swear word or vulgarity during their set. Instead, their singer, Tom Araya, kept saying things like "I trust that everyone is enjoying our performance this evening..."

Testament
I saw this thrash metal band open for Slayer. I remember thinking that they were good and that their singer was a huge, scary guy.

Toad the Wet Sprocket
Toad was a popular alternative rock band in the '90's and they were pretty good live. I saw them with special guests Everything, a one-hit-wonder from that time. I think I remember that Everything was pretty good, too. The main thing I remember about Everything was that they were selling t-shirts that had their logo on the front and the words "Poor. Ugly. Happy." on the back. I thought those were pretty cool shirts.

U2
On the Zoo TV tour at Three Rivers Stadium in Pittsburgh in the early '90's. Best show I have ever seen. U2 is a stellar live band, and they had all the bells and whistles, props and lights and lasers, that a stadium-size show will accommodate. Man, what a great show. They sounded great, they thoroughly entertained several thousand people, I went home exhausted and happy.

Van Halen
I saw Van Halen three or four times in the late '80's, during the Hagar era. They were a solid band live. Eddie Van Halen once threw a guitar pick right over my head; the guy behind me got it. Dammit. I also remember that during one show Hagar spotted security roughing a guy up and stopped the show mid-song and told them to stop. Very cool.

Vixen
Vixen was an all-girl metal band that was popular for six minutes in the late '80's. After they broke up, the guitarist briefly taught guitar for a living on Long Island, New York. She was the guitar teacher for a guy my wife used to date before she and I ever met. Six degrees of separation or something.

White Lion
They didn't suck.

Whitesnake
I saw them twice. They were prompt and professional, as is befitting a group of veteran British musicians. I saw them during the years when lead singer David Coverdale was still dating Tawny Kitaen. This was the '80's when she was still young and hot, as opposed to nowadays when she looks like a transvestite.

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Sunday, August 26, 2007

 

Life Music



It's kind of surprising how many pop and rock songs about abortion have managed to slide in under the radar ... some of them even receiving radio play.

The best example is probably the one hit by the Ben Folds Five, "Brick". In 1998 it was almost impossible to turn on the radio without hearing this delicate piano ballad. According to Wikipedia, Ben Folds has said that he had a difficult time writing the song because the lyrics spoke so literally about the pregnancy that he and his girlfriend aborted in high school.

Of course, once they'd aborted their child, the couple's relationship was changed forever. The lyrics are frank:
"Driving home to her apartment,
For a moment we're alone.
She's alone.
And I'm alone.
And now I know it."

For whatever reason, embedding is forbidden for the YouTube music video, but if you click the still below the video will open in a separate tab or window.




Del Amitri's 1995 album Twisted featured an awful hit called "Roll To Me" and eleven other pop-rock songs, at least eight of which were brilliant. The best track on the album is "Driving With The Brakes On" a song that appears (to some of us, anyway) to be about the helplessness of a man who's significant other has decided to abort their child. The lyrics seem to speak volumes, including lines like
"Driving through the long night,
Trying to figure whos right and whos wrong.
Now the kid has gone.
I sit belted up tight,
She sucks on a match light, glowing bronze,
Steering on.
And I might be more of a man if I'd stopped this in its tracks
And said, 'Come on, lets go home.'
But shes got the wheel,
And Ive got nothing except what I have on."


The YouTube video is rough, it seems to have been uploaded by someone who took the time to aim her video camera at the TV screen. But, then again, if it weren't for this, I'd never even have known that there was a video for this song:




A thrash-metal song that condems abortion in no uncertain terms? Sure, and only the awesome Slayer would have the balls to pull it off. I'd probably heard "Silent Scream" fifty times in my life before I actually listened to the lyrics and realized that the song castigated abortion with extreme prejudice. Of course, with brutal music, shocking imagery and horrific lyrics as their bread and butter, Slayer had no reason to pull any punches when they sang about abortion:
"Silent scream,
Bury the unwanted child.
Beaten and torn,
Sacrifice the unborn...
Scattered, remnants of life,
Murder, a time to die."




It's a damn shame that so few people know about the awesome rock band King's X from Texas. They've been around for ages, they've turned out one solid album after another, and it seems like there are ten or twelve of us who know who they are.

If I had to put King's X in a pigeon-hole, I'd call them "Beatles-inspired hard rock," although they really defy classification. They do all kinds of music, and they do it all well. Plus, they're one of the few bands that's unashamed to explore spiritual themes in their lyrics. They're not a "Christian rock" band, they're a rock band made up of guys who happen to be into Jesus. My favorite King's X album by far is Faith Hope Love, and not just for it's reflective, spiritual lyrics. I have to admit, though, that the album's last track, an open and honest song about abortion called "Legal Kill", is a big favorite of mine for it's moving lyrics:
"I know your side so very well,
It makes no sense that I can tell.
The smell of hell is what I smell,
and you hand it out with handshakes everyday.
I have trouble with the persons with the signs,
but i feel the need to make my own...
I can feel
The fight for life is always real."






Janet recently mentioned the song "The Freshmen" by The Verve Pipe, and it brought back memories for me. This song was very popular the year my son was born, and the way it rages and laments an abortion really effects me. My son came along at a time and under circumstances that wouldn't fit any one's definition of "ideal," but from the minute I first saw him I knew I'd belong to him forever. I'm blessed that I have never had to live through the kind of post-abortion regret that "The Freshmen" admits to:
"When I was young I knew everything,
And she a punk who rarely ever took advice.
Now I'm guilt stricken, sobbing with my head on the floor,
Stop a baby's breath and a shoe full of rice..."



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Saturday, August 25, 2007

 

Gov't Mule



Addendum below*

If you, like me, live and breathe rock and roll, then you know what it's like when you hear a new band (new to you at least) that just blows you away.

Gov't Mule has been around for a long while, but I've never been interested in them because I'd thought of them as just another "jam band." Bands like Phish, the Grateful Dead, etc. Bands that play long, boring, pointless songs and attract crowds full of smelly, dreadlocked, white college kids with more time on their hands than brains in their heads. Hippies. Oh, how I hate hippies.

Nonetheless, a friend recently suggested that I check out Gov't Mule. He said he was convinced that they were my kind of band. He loaned me a couple of albums and I thought they were pretty good, so I picked up one of their albums myself. And, oh dear Lordy is it good. I can't stop listening to it. It's amazing.

I'm trying not to use superlative phrases like "the best band I've ever heard," since that's the kind of phrase that people toss off casually when they first discover a new band, and then a month later when they've moved on to another band they've forgotten about the one they were praising just before.

Having said that, I think that Gov't Mule might just be the best band I've ever heard.

Check out the clip below and then go get yourself some Mule. From what I've heard, the studio albums are stellar and the live stuff is just plain mind-blowing.



*Addendum: You know, when I gripe about hating "hippies," I'm not really saying what I mean. The people I'm complaining about aren't really hippies. What I'm complaining about is the whole subset of irresponsible, financially comfortable, smelly, annoying white kids who follow these "jam bands" around, living off of their daddy's credit cards, buying "Che" shirts and doing drugs. What has that lifestyle got to do with the original meaning of "Hippy?"

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Wednesday, August 22, 2007

 

Music That Doesn't Sooth The Savage Beast



I read Janet's Tell It To Me Tuesday regularly, but don't usually contribute because I just don't often feel like I have anything worth adding. Better to keep your mouth shut than to add something pointless, right?

But this week's topic happens to be a subject I know a little about: songs that invoke anger. Or, as I interpret the topic, songs to listen to when you're good and pissed off.

I've mentioned before that music therapy is the only thing that works for me when I get highly aggravated, and what I often do is listen to good anger-music to get it out of my system. Once I've heard a few tunes ... good and loud, mind you ... and maybe let out a couple of primal screams ... I tend to feel better. Here are some of the songs that help me bring the anger to a head, dissipate it, and get on with my life.

Pantera: "Regular People"

There are a ton of good Pantera songs when it comes to lettin' off some steam, including B13's outstanding choice, but the one I'd pick is "Regular People", a song about having had it up to here with somebody's BS. As heavy metal goes, Pantera was one of the best bands ever ... and their music was the kind that perfectly suited aggressive, angry lyrics. Each and every track on Pantera's amazing "Vulgar Display of Power" is a monster, and "Regular People" is one of those "critical mass" songs for me.

Sample lyric:
I’ve trampled on that road
That you think you own.
You and that ’smart ass’ attitude,
It’s time to stop the fiction.


Some YouTuber has put together a music video for the song, featuring video from some video game. I have no idea why, the video adds nothing to the music ... but you can sample the song here:



Metallica: "Wasting My Hate"

Of course, the worst thing about being good and mad at someone is that when you get mad and stay mad at some idiot, you're giving them too much of yourself. When you're mad at someone, you're giving them your time, your energy, your mind and your body. And most of the time, when you think about it, the person you're mad at isn't worth the sacrifice.

Metallica's "Load" features a song called "Wasting My Hate", and it really puts it all in a nutshell. The band's James Hetfield wrote the song after hearing a story from country and western legend Waylon Jennings: Jennings was sitting in a cafe having a cup of coffee when he noticed a guy sitting in the parking lot, in the passenger seat of a truck, giving him the evil eye. Jennings looked away, but when he looked back, the guy was still looking at him. So this time he tried to stare him down, but the guy didn't budge. The longer he sat there, the angrier Waylon got, and finally he decided to walk outside and really give it to the guy. And when he got outside and approached the truck, he realized that the guy was sound asleep, head cocked back on the seat, and actually staring at no one and nothing. "Man," Waylon is reported to have said to Hetfield, "I was just wasting my hate on that guy."

Sample lyric:
Good day, how do,
And I send a smile to you.
Don't waste, don't waste your breath,
And I won't waste my hate on you.


Again, the YouTube video features unrelated and irrelevant video, but you can hear the song here:



Johnny Cash: "San Quentin"

Johnny Cash didn't write protest songs to be trendy or to attract attention. If Johnny wrote a song in protest of something, it was because he was good and pissed off. Such was the case in 1969 when Johnny visited San Quentin State Prison in California to perform for the inmates and saw them living in conditions not fit for human beings.

According to the liner notes from Cash's legendary live album "Johnny Cash At San Quentin", Johnny wrote his classic song entitled "San Quentin" during the first hours of his visit to the penitentiary. That was the thing about Johnny Cash... when he converted to Christianity, he took the call seriously. Including Christ's call to His followers to visit and minister to those in prison. Cash believed that people who'd committed crimes should pay their due to society, but that they shouldn't be reduced to something less than human. What he saw at San Quentin appalled him. During his concert that day Cash asked for a drink of the same water that the prisoners drank and found it filthy and disgusting. Later, Johnny debuted the new song for San Quentin's inmates, stirring them to the point that he had to perform the song again, immediately, to satisfy them. Imagine that. Imagine being one of the guards or the warden in that infamous hellhole, watching as a pissed-off country rocker got your whole prison population all worked up, all at once.

Sample lyric:
San Quentin, I hate every inch of you.
You've cut me and you've scarred me through and through.
And I'll walk out a wiser weaker man;
Mister Congressman, you can't understand.


And here's a clip of that very legendary performance:



Tool: "Bottom"

The heavy progressive rock band Tool just gets better and better. Their 2001 album "Lateralus" is possibly the finest example of heavy progressive rock that's been turned out by any band ... but each of their albums is good in it's own right, and 1993's "Undertow" features a number of great songs, including "Bottom".

"Bottom" is a song about wallowing in your own spite ... and let's face it, we all do that from time to time. But "Bottom" is an honest song; a song that admits that when you're wallowing, you're doing nothing more than celebrating your own failure. Still, wallowing has it's appeal. Sometimes when you're good and mad you just want to be left alone to enjoy your anger. And there's nothing wrong with that, as long as you get it out of your system and move on. Have a good wallow, then get up and get on with it.

Sample lyric:
I have swallowed the poison you feed me,
And I survive on the poison you feed me.
Leaving me guilt-fed. Hatred-fed. Weakness-fed.
It makes me feel ugly.


Again, ignore the animation that some YouTuber has attached to the song and just enjoy Tool's groove:



Billy Joel: "Pressure"

Is there anything worse than some jackass who just can't wait to tell you what you should be doing when things fall apart? Not much. And we all know the type, too. We all know some blowhard who just lurks in the background, waiting to see if you're going to fall on your face, not caring what you're doing or what you're learning or how hard you're trying ... just waiting for that chance to waltz up and say "You know, if I were you..."

Billy Joel has obviously dealt with those kinds of people before, and his 1982 album "The Nylon Curtain" contains a track that sums them up to a tee. Billy even sings "Pressure" with a voice that's about to crack from anger, making it obvious that he's not singing about a hypothetical lunkhead. Some smart-ass actually inspired this song. I hope he knew that it was about him when he first heard it on the radio.

Sample lyric:
I'm sure you'll have some cosmic rationale.
But here you are with your faith
And your Peter Pan advice.
You have no scars on your face
And you cannot handle pressure.


And here's the classic music video from the '80's.



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Friday, December 01, 2006

 

Music To Mope By



Indulge me.

Everybody is entitled to mope now and then, right? Maybe a little moping, on occasion, is good for you. Maybe. I mean, how do you know you're happy except by comparing your happiness to the times when you're unhappy?

I turned 38 yesterday. There is absolutely nothing special about turning 38.

Nothing.

One more year is over. Big deal.

I was feeling that way already, even before my son called to tell me that he now has a new baby sister. My ex-wife has been pregnant and "due any minute now" for the past couple of weeks. God, who's sense of humor is boundless, chose to give my son's new sister the same Birthday as me.

This basically means that I'll never have my son on my Birthday again.

By the way, my son's new sister also shares a Birthday with Mark Twain, Billy Idol, Winston Churchill … and such famous nutcases as G. Gordon Liddy, Abbie Hoffman, and Clay Aiken.

I like my ex-wife's husband and I'm genuinely happy for their family, but the main thing that I feel is jealousy of their new daughter.

I'm jealous because all of her good birthdays are ahead of her and all of mine are behind me. When you're young, every birthday is increasingly important. Each passing year represents new potential. With each year you put behind you, your abilities increase and your opportunities develop and your potential just goes through the roof.

Then, at some point between 20 and 30, personal potential reaches critical mass and it's "use it or lose it" time. If you do well, if you maximize your potential, you end up with a list of victories. If you don't, at some point you turn around and examine your life and realize that your potential is part of your past.

Then, each Birthday becomes sort of a macabre anniversary. Just one more yearly reminder that you're a little further from the cradle and a little closer to the grave. You're not yet dead, but you're no longer really alive in the ways that matter … you're just metabolizing food and oxygen and waiting for the day you stop doing that.

Yeah, I got my mope on, alright.

Of course, moping (like everything in life) is made better by music. Every element of life needs a soundtrack, even the downtimes.

When I was a teenager, with all the desire to mope in the world (but with no real reason to mope, ironically), my mope music was goth rock and metal. Bands like The Cure, Black Sabbath, Nine Inch Nails … songs like Metallica's "Fade To Black" or "Coma" by Guns N' Roses.

When you're young and congratulating yourself on how seriously you take the dim perspective of life, you can convince yourself that there's actual depth in lyrics such as these, from The Cure:

I crouch in fear and wait
I'll never feel again
If only I could remember
Anything at all


Then, you get older and have some real problems … maybe go through a real crisis or two … and you realize that Robert Smith of The Cure, whatever his legitimate charms may be, is nothing more than a fat British crybaby when it comes to lyrics.

A few of the bands I listened to in those days managed to write some meaningful lyrics … and Johnny Cash's stiring cover of the Nine Inch Nails song "Hurt" (with it's remarkable video) absolutely legitimizes the lyrics of that particular track. But, if you want real mope music, you have to look for songs with lyrics that actually deal in a real way with life's constant stream of mundane catastrophes.

With that in mind, I'm appropriately ambivalent about presenting

The SouthCon Top Ten
Mope Songs Of All Time



#10
Song: "And All That Could Have Been"
Artist: Nine Inch Nails
Album: Still

When Nine Inch Nails released their 2001 live album, initial copies came with a bonus disc called Still. The bonus disc was a set of re-recorded versions of older NIN songs, performed acoustically (or, at least, in a toned-down arrangement). Some of the songs were new, and best of all was the album's centerpiece, a desolate and cold piano and vocal piece called "And All That Could Have Been." Trent Reznor (who, basically, is Nine Inch Nails) writes songs about depression and despair quite frequently. It's rare, though, when he manages to avoid melodrama and come up with something honest and raw, a real expression of painful regret.

Sample lyrics:

I know you tried to rescue me
Didn't let anyone get in
Left with a trace of all that was
And all that could have been…

Please, take this and run far away
Far away from me
I am tainted
The two of us were never meant to be






#9
Song: "Don't Follow"
Artist: Alice In Chains
Album: Jar Of Flies

Layne Staley of Alice In Chains was always very open about the heroine addiction that eventually killed him, and many of the bands fans (including this one) got tired of the songs about smack. Now and then we'd hear that Layne was in rehab, that he was trying to get clean and sober. It was always to no avail. Sometimes, I suppose before a rehab stay, Staley would write honestly and openly about the mess he was making of his life with his addiction. This song is the best track on the band's 1994 EP.

Sample lyrics:

Hey, I aint never coming home
Hey, I'll just wander my own road
Hey, I cant meet you here tomorrow
Say goodbye, don't follow






#8
Song: "Evaporated"
Artist: Ben Folds Five
Album: Whatever And Ever Amen

This is just one perfect little album. Recorded live in the studio, Whatever… features some rollicking good piano from Ben Folds and outstanding support from his guitarist and drummer. This is the kind of album that my generation may have needed in order to realize what was so special about those first few Elton John albums in the early 70's.

Ben Folds is known for smart, funny, acerbic lyrics … and that's the kind of content that dominates the album. So it's something of a surprise that the album's closer is so stark.

Sample lyrics:

Don't you know I'm numb, man.
I cant feel a thing at all.
'Cause its all smiles and business these days
And I'm indifferent to what I've lost.






#7
Song: "My Curse"
Artist: Afghan Whigs
Album: Gentleman

Afghan Whigs made a name for themselves by combining soulful arrangements, jangling rock guitars, and lyrics that were often shocking and blunt. They didn't stray from that formula on their 1993 release, which ended up being the band's strongest set.

One track in particular, "My Curse," was really very confessional on the part of lyricist and singer Greg Dulli. In fact, he found the song too painful to sing. A guest female vocalist was brought in to sing the lead vocal for that track on the album, changing the perspective enough that Dulli could bear to record it.

Sample lyrics:

Hurt me, baby.
I flinch so when you do.
Your kisses scourge me.
Hyssop in your perfume.
Oh I do not fear you.
And slave I only use as a word to describe
The way I feel when I'm with you.






#6
Song: "Christmas Morning"
Artist: Lyle Lovett
Album: The Road To Ensenada

This was the album that Lyle released after his highly publicized break-up with his former wife, Julia Roberts. I think that we fans knew to expect some painful songs. I don't think, though, that anyone was prepared for the frank and often brutal sting that many of these songs conveyed, especially the darkest track of Lovett's career (so far).

Sample lyrics:

The girl at the grocery, she's pretty. Seems nice.
She looks right through me with eyes cold as ice.
She never answers when I ask her name.
She only says I should have a great day.
But, hey, what could she mean by that?
Perhaps I'm the fool she takes me for.
Not anything more.






#5
Song: "Perfect Blue Buildings"
Artist: Counting Crows
Album: August And Everything After

On paper, the album should be unlistenable. On paper, it's one depressing dirge after another, with two upbeat rock songs ("Mr. Jones" and "Rain King") sticking out like a pair of sore thumbs. If it weren't for the striking and memorable arrangements, and if it weren't for the best set of lyrics of Adam Duritz's career, this album surely wouldn't have succeeded. For my money, the best track on the album is "Perfect Blue Buildings," as honest an expression of weariness as has ever been recorded.

Sample lyrics:

Its 4:30 a.m. on a Tuesday.
It doesn't get much worse than this.
In beds
In little rooms
In buildings
In the middle of these lives which are completely meaningless.






#4
Song: "Dirty Day"
Artist: U2
Album: Zooropa

It does take a certain courage to write honestly about your life when things are going well. Especially if you're a rock star. Imagine the dilemma U2's Bono faced while recording the band's 1993 follow-up to the highly successful Achtung Baby. Write about the joys of being a rock-star and you might seem cocky, only a notch above David Lee Roth at best. But, if you complain about being a rock-star, you're just another Eddie Vedder-style whiner. What do you do?

Thankfully, Bono is a skilled lyricist. Yes, rich and successful people have their downtimes, too. Apparently, Bono knows something about a life lived in the shadow of an abusive father. Nobody, rich or poor, ever quite gets over that. As always, Bono expressed himself with aplomb and universal appeal.

Sample lyrics:

You're looking for explanations.
I don't even understand.
If you need someone to blame
Throw a rock in the air
You'll hit someone guilty…

Wake up. Some things you can't get around.
I'm in you. More so when they put me in the ground.






#3
Song: "Why"
Artist: Annie Lennox
Album: "Diva"

Did anyone really expect Annie Lennox to have such an amazing career after the Eurythmics broke up? I didn't. I really didn't give her much of a second thought, so I was amazed when I actually paid attention to her first solo album and realized that it was outstanding.

What's more, the first single from that debut album was a masterpiece of regret and candor. As the song builds, Annie's crescendo ends with heartbreaking vocals and deeply resonate message about the regret that plagues many of us in our later years.

Sample lyrics:

This is the book I never read.
These are the words I never said.
This is the path I'll never tread.
These are the dreams I dream instead…

And these are the years that we have spent.
And this is what they represent.
And this is how I feel.
Do you know how I feel?
'Cause I don't think you know how I feel.
I don't think you know what I feel.
I don't think you know what I feel.
You don't know what I feel.







#2
Song: "Sunday Morning Coming Down"
Artist: Johnny Cash
Album: Sunday Morning Coming Down

Part of the reason that so many of Layne Staley's (mentioned above) lyrics about addiction and substance abuse never resonated with me (with the noteworthy exception of the song listed above) was that he flatly glamorized drug use. Oh, yes, he presented his addiction as a sad and troubling thing … but he also seemed to see himself as somehow romantic and admirable; sort of a Jack Kerouac for the grunge generation. Layne Staley might have had the experience necessary to sing about addiction, but he didn't have the authority to make the songs speak to everyone.

Johnny Cash had that authority. Partly because his big, booming voice just commanded any listener's attention … but also because Cash had cleaned up and stayed clean. Unlike Staley, Johnny Cash's regret about his drug-addled past was real, lasting, and life-changing. So when Johnny Cash released a song about the hopelessness of addiction, you knew that you were hearing truth. Of all of Cash's songs from that well-remembered perspective, my favorite is the title track from his 1972 album.

Sample lyrics:

Well, I woke up Sunday morning
With no way to hold my head that didn't hurt.
And the beer I had for breakfast wasn't bad,
So I had one more for dessert.
Then I fumbled in my closet through my clothes
And found my cleanest dirty shirt.
Then I washed my face and combed my hair
And stumbled down the stairs to meet the day …

In the park I saw a daddy
With a laughing little girl that he was swinging.
And I stopped beside a Sunday school
And listened to the songs they were singing.
Then I headed down the street,
And somewhere far away a lonely bell was ringing,
And it echoed through the canyon
Like the disappearing dreams of yesterday.

On a Sunday morning sidewalk,
I'm wishing, Lord, that I was stoned.
'Cause there's something in a Sunday
That makes a body feel alone.
And there's nothing short of dying
That's half as lonesome as the sound
Of the sleeping city sidewalk
And Sunday morning coming down.






#1
Song: "That Lucky Old Sun"
Artist: Ray Charles
Album: Modern Sounds In Country And Western Music

Nobody else could have gotten away with it. When Ray Charles announced to his record company that he planed to follow up a string of successful pop and soul recordings with a country and western album, people were stumped. Why? Why on earth?

Well, because Ray grew up in the American south and loved the music he'd grown up with. And, because Ray recognized something in that music that he wanted to convey to his audience. There was a pain in many of the best of those songs, and he knew and loved the people who'd felt it. He wanted to tell their stories.

Ray Charles sings this song with a genuine, emotional weight. Listen to it and it's easy to forget that he went blind as a child. I've heard nothing, nor have I ever read anything, that so clearly conveys what it's like to work a difficult and unrewarding job, feel unappreciated, and see no end in sight. Ray's eyes might have been blind, but his remarkable performance of this song makes it obvious that he had seen into the abyss.

The lyrics, in their entirety:

Up in the morning.
Out on the job.
I work like the devil for my pay.
But that lucky old sun's got nothing to do
But roll around heaven all day.

I fuss with my woman. I toil for my kids.
Sweat 'til I'm wrinkled and gray.
While that lucky old sun's got nothing to do
But roll around heaven all day.

Dear Lord above, don't you see I'm pining?
Tears all in my eyes.
Send down that cloud with a silver lining
And lift me up to Paradise.

Show me that river, take me across.
Wash all my troubles away.
Like that lucky old sun, with nothing to do
But roll around heaven all day.





Wow.

Ray Charles. Johnny Cash. Annie Lennox and U2 and Afghan Whigs and Alice In Chains, etc. If you'll excuse me, I have a CD to burn.

And thank you for indulging a fat ol' redneck who's had a rough week.

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Friday, November 24, 2006

 

The Greatest Ever...



You come across things like this at the Snopes news page:

Midnight Zamboni Run Prompts Firings
BOISE, Idaho (AP) - Two employees of the city's ice skating rink have been fired for making a midnight fast-food run in a pair of Zambonis. An anonymous tipster reported seeing the two big ice-resurfacing machines chug through a Burger King drive-through and return to the rink around 12:30 a.m. on Nov. 10. The squat, rubber-tired vehicles, which have a top speed of about 5 mph, drove 1 1/2 miles in all.


The reason I think this is worth mentioning is because I am convinced that Midnight Zamboni is the GREATEST POSSIBLE NAME for a ROCK GROUP in the HISTORY OF THE WORLD.

I do not know how to play an instrument, but I'm going to learn how to play one so I can form a band and name it Midnight Zamboni.

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Tuesday, November 21, 2006

 

New Killswitch



The New Killswitch Engage album came out today. It's very good. I don't know if I'll ever like it as much as the previous two albums, but it's got some monster riffs and, as usual, Killswitch's powerful, positive lyrics. You can click here to watch Adam and Howard describe the album to hillarious effect.

Here's the very stylish video for the first single, My Curse:


If you don't know much about Killswitch, here are a few older videos, too.

I love this song, Rose Of Sharyn. The song grabbed me right off the bat with it's incredibly catchy riffs and train-wreck heaviness … and the song's subtly Christian message ("I mourn for those who never knew You") is just icing on the cake:



Unfortunately, this mix of The End Of Heartache is from one of the Resident Evil movie soundtracks. It's a "cleaned up" version, with the vocals toned down and some of the edge seems gone … but the song still rocks ... and I love the dichotomy of having such heavy music paired with lyrics like "Seek me for comfort, call me for solace..."



Here's a performance of one of the best songs on the previous album, called When Darkness Falls. This is from Killswitch Engage's live concert DVD that was released last year.



And, lastly, the first KSE song I ever heard and, consequentially, the song that got me into the band. This song features their former vocalist, Jesse Leach. I like their new singer, Howard Jones, much better. I'm in the minority of Killswitch fans in that regard. Anyway, this is My Last Serenade:



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Wednesday, November 15, 2006

 

Between The Buried And Me



If you read this blog from time to time, you know I like my metal.


Well, I'm an old man now and I can't keep up with "the scene" the way I used to. So a lot of the time a band has been around for a while before I first hear them.

Which is why I've just heard Between The Buried And Me for the first time tonight.

This straight edge metal band is from nearby Raleigh North Carolina, and they are the future of metal. They got their name from a Counting Crows lyric, of all places. Tonight on the net I've seen them called "post hardcore," "experimental metal," "math metal," "jazzcore," "psychodelic death metal" ... nobody knows what to call them.

I just call them awesome.

Oh, my Lord, but these guys are heavy. This is my favorite new metal band.

The sad thing is, the clip below doesn't begin to cover a tenth of this band's sound. To get an idea of what I mean, check out the influences they pay tribute to on their new covers CD. That's not the album to buy, though. If you're interested in them, pick up Alaska. This is the heaviest and yet artsiest album I've heard in years ... maybe ever.

Meanwhile, here's a glimpse of them at their heaviest ... an ode to insomnia called Alaska by Between The Buried And Me:



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Monday, October 09, 2006

 

Somethin' Somethin'





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Monday, September 18, 2006

 

Monday Miscellany





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Sunday, September 10, 2006

 

McFAT's Sweet 16



It's hard to believe that there have now been sixteen McFATs… but there have, and here are my answers to Number Sixteen.

1) What's your worst and/or funniest drinking experience? If you never drink, it can be about someone you know, and if you don't know anyone, move on to the next question.

Disclaimer: I can't remember the last time I had more than two beers at a time. It's usually just one at a time. Wendy and I usually make a six-pack last for more than a week between us, and we might buy a total of four six-packs in a year. I'm totally paranoid about drinking much at all, even in the comfort of my own home, for fear that some child will get up and manage to fall down the steps and knock a hole in his or her head and then it's up to me to get them to the hospital. So I hardly drink at all, I never drink anything other than beer (actually ales and stouts) and when I do, it's very, very little.

There was, however, a time when I drank far too much and behaved very irresponsibly while drinking. I no longer do that, having put that lifestyle behind me more than ten years ago… and having spent a period of my life going to AA meetings in order to make sure that the last nail was in the coffin of that part of my life.

And so I want to make it clear that I do not endorse drinking to excess, I do not endorse driving or behaving irresponsibly while drinking, and I do not endorse basically everything I ever did before my son was born.


OK?

Now, having said all that, I suppose the funniest thing that ever happened to me while drinking would be the time that another blogger who frequents this blog… a guy I used to work with back in my radio days… well, he and I worked at a radio station together and we decided to basically change the station's format and broadcast times while we were drunk on the air one night.

Drinking while on the air was fairly commonplace back during my irresponsible radio youth. Anyway, me and this other guy (a blogger in my blogroll who I won't identify… if he wants to do so in the comments, that's up to him) used to work at a small-time local radio station. It was really small time. Not even a 24-hour-a-day broadcast station. We signed on every morning at 5:00 AM… played country music and gospel music all day… and then signed off at midnight. Yep, it was one of those little AM/FM stations that you might dial in while traveling through the south just to get a kick out of a little slice of Americana.

Anyway, me and this other DJ used to get fairly good and drunk fairly frequently during the evening shift… and one night when it came time to sign off for the evening we decided that, dang it, we weren't gonna do it. We decided that instead we'd stay on the air and play the kind of music that we enjoyed… stuff like Metallica and the Michael Schenker Group and the Grateful Dead and NWA and James Taylor and… oh, you name it. If we liked it, we'd just throw it on the air. And between songs we'd go on the air and tell ribald stories about our co-workers and stuff like that.

So about an hour into this illegal, immoral and unintelligible broadcast, our station manager called us and demanded to know why we were still on the air. Turns out that he'd been out clubbing and got in his car and turned on the radio, which just happened to be tuned to our frequency… and before he could get a cassette tape in the tape deck he noticed that we were still broadcasting and that we were playing some sort of highly vulgar material.

Anyway, the station manager calls us and demands to know why we're still on the air and one of us… I can't remember if it was me or the other DJ… told the manager that he needed to shut up, go home and go to bed.

The next day the other DJ and I were called in to the station around 10 AM or so and we were curtly and unceremoniously fired and sent packing.

However, by one or two that afternoon when it became obvious that there was nobody to work my afternoon shift and the other DJ's evening shift, we were called and asked if we'd like to have our jobs back. So we said sure, what the hell, we didn't have anything else to do and since we were just gonna sit around and drink and listen to music anyway, we might as well get paid to do it.

There are a bunch of other stories that I could tell that begin with the line "This one time when we were drunk on the air…" but I think I've incriminated myself enough.

2) Inspired by some of the insect images I've seen lately at B13's and Unspace, what are some of your more horrific encounters with the insect world?

Have you ever seen a House Centipede? These aren't regular run-of-the-mill centipedes… these things are hideous. Monstrous. They look like some sort of joint project created by Todd McFarlane and Satan. Every time I see one I shriek like a ten year old girl and run outside waving my arms around, crying for help. I'm TERRIFIED of these things. I'd honestly rather go up against a bear, armed only with a Bic pen, then have to face down a house centipede. We get them from time to time in the fall. It's getting close to the time of year when they'll be coming out. I live in fear of them at this time of year. If you want to see one, you can click here… but I'm warning you, they're hideous.

3) How would your life differ if you woke up one morning with no arms?

I guess the main difference is that I wouldn't have ANY #@&N$!"!NG ARMS… but other than that, I guess the change would be nominal.

Speaking of arms and radio… I was once reprimanded by a program director for saying on the air that I'd give my right arm to be as good a drummer as that guy in Def Leppard.

4) Born in the mid 1970s, a lot of the classic rock I've heard used as jingles for beer, trucks, and other appropriate products was my first exposure to those songs. Do you think some of these songs were ruined by becoming advertising elements? What songs from your formative years could you see being sampled for commercials some day, and for what sort of products?

I LOVE the Iggy Pop song Lust For Life, and I HATE hearing it in car commercials. I also remember hearing The Faces' I Know I'm Losing You in a commercial for something or other and being bummed out by that. I really love that song, too.

I am surprised, I must admit, that I haven't yet heard Iron Maiden or Judas Priest in commercials for Honda and Nike. Our generation made those bands huge, and our generation is a prime marketing demographic, so it's only a matter of time until those bands are turning up in commercials. In fact, I have a vague memory of having heard You've Got Another Thing Coming in a commercial… but I can't remember the product and it might be that my mind is playing tricks on me.

Now that I'm one of many old fat men driving around in a minivan and listening to Metallica, it's only a matter of time before we hear Metallica songs in commercials. I suppose Duracell will co-op Battery just to be funny. Maybe Verizon will use For Whom The Bell Tolls.

And, of course, customizing the lyrics to match the product will continue as a marketing trend. I can't wait to hear a Dominos commercial featuring Dave Mustane wailing Pizza Sells… But Who's Buying? Maybe Slayer will sing the praises of a Tupperware Ensemble.

SPECIAL BONUS QUESTION: I started blogging on October 13th, 2004. Last year some of you may recall my Best Blog Party Party, guest posts, year in review, and revealing photos. What sort of things should I do for this year's Cloakfest?

It's time to go ahead and do that nude photo-spread you've been promising us for so long now. Nothing raunchy, mind you… I'm talking about tasteful photos… but something bold and liberating. It might be nice to pose with a live tiger, if you can get access to one. The one article of clothing that I'd say you definitely should wear is a tweed fedora… and maybe a huge gold chain. Just you, the lid and the chain, the tiger and an expression of sassy bravado. It'll be the most popular Photo Blog Wednesday ever.

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Thursday, August 17, 2006

 

Now, where was I?



Oh, yeah… a week ago, the Unseen Blogger tagged me with a book meme, and I committed to completing it.

Along the way I noticed that MCF had done the meme, but he'd changed it to an 80's animation theme instead of books since he vaguely remembered having done the book variation in the past. Then Otis got in on the action, doing the cartoon version as well.

Then I remembered that MCF definitely had done a version of this meme before, and that he'd tagged me with it, too. So, since I'd already done this kind of thing once before, I decided to change it up myself. Instead of books and instead of cartoons, my version is about albums:

1. One book album that changed your life:

I'm going with Tony Rice's amazing Cold on the Shoulder. Before I heard this album, I was just like every other uppity dipstick when it came to bluegrass music. I thought I knew what it was all about, I thought it was all about these kinds of people, and I looked down my nose at bluegrass in general. Then I heard Rice. There was no getting around the fact that the guy was a remarkable musician. I don't think I appreciated his absolute mastery of song, though, until I heard Cold on the Shoulder. There were moments (the best example is the track "Wayfaring Stranger") when I sat in wide-eyed disbelief at the inexpressible beauty of what I was hearing. I've been an unabashed and enthusiastic bluegrass fan ever since. And, here's the thing about bluegrass fans: Often when two of us are together and hear someone else mocking bluegrass, you might notice a sly exchange of glances. It's an exchange that says "Remember when we were ignorant a-holes, too?"

2. One book album that you have read more than once listened to a zillion times:

My favorite album, Pearl Jam's Ten. I absolutely love this album. I can't be objective about it. It's just my album. It was the perfect album, released at the perfect time, with each perfect song written and recorded perfectly. I have so many associations and memories with this album. I can remember specific times in my life when it was the background music… specific instances when one song or another from this album was on the radio. I can play each solo on the album in perfect, synchronous air-guitar. I know and can sing along with each of Vedder's grunts, moans and fricatives. And this is an album, not a collection of songs. In case you had any doubt, the band opened and closed it with a brief instrumental bookend piece. It is meant to be heard as a whole, and I hear it as a whole quite frequently, even all these years later. Oh, if only Pearl Jam had ever done even one other album that was half this good. If only they'd concentrated on the music and less on the politically ostentatious posturing. If only, if only….

3. One book album you'd want on a desert island:

Yes, Ten is my favorite album… by my favorite band is and will likely always be Metallica. Yes, I'm aware that Metallica sold out, Metallica sucks, Metallica are a bunch of irrelevant old men, Metallica are yadda, yadda, yadda. Just shut your yappin' pie hole, OK? I don't want to hear it and I don't care. Metallica is my favorite band. The thing is, It's like I'm Metallica's battered wife. I keep taking them back because they used to be so good to me. They still love me… I just know they do, and they'll show it again one day! So in spite of pointless sets of cover songs and blatant instances of hubris and otherwise wonderfully written and played albums that were ruined by an incompetent producers, I keep going back. If I had to pick a single Metallica album to take on a desert island… a place where time stands still, where no one leaves and no one will…it would have to be Master of Puppets. I'll just never get tired of it. It's their high-water mark, they're standard by which I judge every subsequent effort, and an album I could listen to any day of the week. The band created that album by following their instincts, not a trend… and it will go against the grain until the end.

And if you can name the two songs from the album that I quoted in that paragraph (WITHOUT Googling the lyrics), you get ten bonus SouthCon points.

4. One book album that made you laugh:

When The Darkness released their album Failure To Launch, I got what they were doing. I didn't enjoy it, but I got it. They were trying to be heavy and be funny at the same time. Some music critics thought it was impossible and that the band could only be seen as a joke, but I knew better. I knew better because of SOD's outstanding, hilarious Speak English Or Die. This 30 minute blast of thrash metal from 1985 was simultaneously heavy-as-anything and also extremely funny. Even in 1985, SOD recognized the political correcting of rock and roll that was taking place (Rock Against Drugs, anyone?) and they were having no part of it. Speak English Or Die is a thrash metal classic with enough riffs and monster leads to satisfy any metal fan… but with lyrics that literally caused my buddy John and I to have to pull over to the side of the road the first time we listened to the album because we were laughing so hard. Songs like The Ballad Of Jimi Hendrix and Chromatic Death and the blistering title track were so much fun. In much the same way as This Is Spinal Tap from the year before, Speak English Or Die both mocked and celebrated everything that is big and dumb and loud and stupid and wonderful about heavy metal. It remains a cherished favorite of mine to this day.

5. One book album that made you cry:

When Layne Staley of Alice In Chains died, my immediate reaction was cynical disgust. I'd been a fan of the band for years, but I'd also heard all the stories about Layne's frequent overdoses and rehab stints. I wasn't surprised to hear that he'd finally OD's and died. "Stupid junkie," I thought. "If he couldn’t clean up and quit taking the drug that he knew was killing him, why should I give a damn? Just one more dead junkie, right? If somebody is bound and determined to kill themselves with drugs or drink or alcohol, then so be it. Screw 'em. Let 'em die."

A year or so after Layne died, I happened to be listening to an old favorite of mine, the Alice In Chains EP Jar Of Flies. It may be that for the first time I actually paid attention to the lyrics on that particular day… or it may just be that I was just a little more sensitive and a little less cynical than usual for some reason. Anyway, the hopelessness and utter sadness of the lyrics hit me for the first time. Songs I'd always liked, such as Don't Follow and I Stay Away… and, most especially, No Excuses… hit me like a ton of bricks. The honesty, the desperation and the pitiable pleas in those songs overcame me. I found myself actually choked up and wiping away a few tears for Layne and for everyone who was ever swallowed whole by an addiction. There but for the grace of God go I.

6. One book album you wish would have been written recorded:

A live album by The Sleestacks would have been awesome.

7. One book album you wish had never been written recorded:

There is one artist… one and only one, about whom I can say the following: I absolutely can not stand a single song she's ever recorded. I hate, loathe, and despise every one of her songs… at least every one of her songs that I've heard. I make a great effort to hear as few of her songs as possible. And so I can say, for certain and without qualification, that I wish every single album and/or song ever recorded by Shania Twain had never been recorded.


8. One book album you are currently reading rediscovering:

I don't suppose I'll ever get tired of Johnny Cash at San Quentin, maybe my favorite live album of all time. Everyone knows and refers to the Folsom album.. and, granted, Folsom really is a masterpiece… but I can't help but prefer San Quentin. This is one album that has so many layers and so much rich texture that I don't think I'll ever hear all of it, appreciate it entirely, or really fully get it's significance. The music itself, of course, is outstanding. Everyone knows A Boy Named Sue, of course… and, yes, it is indicative of the rest of the album. However, it's only a scratch of the surface. There is so much on the San Quentin album. There's an energy… an urgency… about this recording. It might come from the prison crowd, obviously thrilled about the rare occasion of a night designed to entertain them. It might come from Cash himself, only a year or two into his own sobriety and his marriage to the great love of his life, June Carter. It's probably a combination of the two. Songs like "I Don't Know Where I'm Bound" and "Starkville City Jail" make the rapport between Johnny and his audience palpable. The centerpiece of the show, two back to back performances of the protest song San Quentin, literally make my spine tingle… and the closing gospel set of songs wraps it up with an honestly hopeful finale. God bless the record execs at Sony who decided to finally make the entire recording available in 2000. This is a once-in-a-lifetime set, and I get something more out of it each time I hear it.

9. One book album you have been meaning to read listen to:

At Christmas in 2003 I gave Wendy Brand New's album Deja Entendu, and, shockingly, we both enjoyed it very much. It's rare that we both enjoy an album. I can only think of five or six examples. Anyway, both of us liked Deja Entendu and, somewhere along the line, one or the other of us acquired Brand New's previous album Your Favorite Weapon. I remember listening to it once or twice and thinking that it was really good, really solid, and that I'd probably end up enjoying it quite a bit if I'd just keep listening to it. You know how it goes, though. Sometimes an album just falls through the cracks. Now and then I remember that Your Favorite Weapon is among our music collection and I'll feel guilty about not listening to it more than I have. I'm sure that I'll really enjoy that darn CD… if I only give it the chance to win me over!

10. Tag some others:

My usual standby: If you read this and you're inspired to write something similar, consider yourself tagged.

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Wednesday, August 02, 2006

 

Devil Music



As I've covered ad nauseum here, I'm a Catholic Convert in the mostly Baptist South. That makes me an oddball.


I’m also an unapologetic heavy metal fan in the culturally conservative South, which doesn't make me an oddball particularly… there are quite a few other heavy metal fans 'round these parts.


The thing is, I'm as socially and politically conservative as any good ol' Southern Red Stater. What separates me from most of my cultural contemporaries is, for the most part, the minor issue of musical preference.

I like heavy metal. Most of my peers like current country music. I absolutely loathe country music.

Well, I loathe what passes for country music these days. The crap that they play on country music radio. They can tell me that it's country music all they want, but I know the difference. I grew up listening to Johnny Cash, Loretta Lynn and Merle Haggard. I know the difference between real country music and the Shania Twain / Rascal Flats / Toby Keith garbage that is marketed as country music these days.

Here's why I'm on this rant today: Now and then, one of my cultural contemporaries will let me know… either subtly or overtly… that he or she doesn't approve of my taste in music. Nine times out of ten, what happens is this: some rabid fan of modern so-called "country music" will make it clear that, in their opinion, if I were a real conservative, a real Christian, a real whatever, I wouldn't listen to Metallica and AC/DC and Black Sabbath.

My response is always to insist… usually futily… that most heavy metal is harmless and that the really irresponsible and dangerous lyrics are the ones in modern country music. I honestly believe that. When it comes to lyrics, metal is silly, fun, harmless music for the most part. The lyrics of modern country music, on the other hand, are an awful influence on impressionable young people.

That's my thesis… and that's what the following experiment is designed to prove.

So here's the setup… I'm going to post a brief summary of the lyrics to a given song… after the summary, I'll pose the question… have I summed up a metal song or a modern country song? You can click the link to find out the specific song I'm referencing.

So check out these song summaries and judge for yourself… which kind of lyrics are really the worst possible influence on young people?

Example #1: "I had my first sexual experience when I was under-age and drunk. I remember it fondly."
Country or Metal?

Example #2: "I like women who listen to Bon Jovi and get drunk and naked in public."
Country or Metal?

Example #3: "Don’t let peer pressure or material concerns prevent you from confessing belief in God."
Country or Metal?

Example #4: "If a woman is in a relationship with an abusive man, she should murder him and cover up her crime."
Country or Metal?

Example #5: "If a woman is involved in a relationship with an abusive man, she should murder him in the most grizzly way imaginable."
Country or Metal?

Example #6: "Teach your children that prostitution is a viable alternative to poverty."
Country or Metal?

Example #7: "America is a great country and worth fighting for."
Country or Metal?

Example #8: "I've met a woman who would like to build a relationship slowly, but my goal is to screw her and dump her."
Country or Metal?

Example #9: "Mortal leaders are corruptible, but their power is nothing compared to the peace of Heaven."
Country or Metal?

Example #10: "I have come to this establishment to get drunk and arrange a one night stand, and I won't leave until I've been forced to do so."
Country or Metal?


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Friday, June 30, 2006

 

Superman, Church Music, And The Ubiquitous Metallica Mention



More of the usual… religion, rock and roll, and at least one post that's about both:


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Thursday, June 29, 2006

 

Mary, Marketing, Mutants, Movies, Metallica



Here's today's ramblings and absurd observations...



That's all I got for today… and, frankly, that's plenty.

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Thursday, June 01, 2006

 

Metal Up Yer Blog



When did VH1 become the list show network? Everything they do these days is a list show. Pop Music's Twenty Greatest Divas. The Thirty Most Rockin' Moments of Television History. Forty Celebrity Couple Break-Ups That Rocked Your World.

Whatever.

May, the month that just ended, was Metal Month on VH1. Now that people in my age group are officially old farts, VH1 is trying to cash in on us. We grew up with metal, we still love metal, and VH1 realizes that the people out there with the expendable income... in other words, the people that McDonnalds and Ford want their commercials shown to... aren't driving around in Studebakers listening to Mel Torme and Peggy Lee. Nope. We're driving around in minivans listening to bands like The Scorpions and Van Halen. We're buying onesies for our babies like the one to the right.

So welcome, my fellow mid-to-late-30s headbanging brothers and sisters, to what people in marketing refer to as the Age Targeted Demographic. We are now the people who buy the cars, the televisions, and the laundry detergent. We're the ones who stop and pick up the Happy Meals, and we're the ones who decide what breakfast cereal our little curtain-climbers will be eating each morning. WE are the ones that the marketers want. Therefore, WE are the ones the programmers are trying to please.

You know what that means? HA HA HA HA HA! It means that at last... at long last.... we have realized our goal! We have conquered the world! Yes, my fellow Headbangers, the dream has come true! WE HAVE THE POWER!!

And, therefore, VH1 has had an epiphany... an epiphany in the form of an advertising angel with long hair and a flying-v guitar.

So VH1 presented their current list show the other night, the Forty Greatest Metal Songs Of All Time. Being an unrepentant headbanger who spends much of my time hauling my kids around in our minivan while listening to Metallica, I actually sat down and watched the stupid show. Some of the songs they listed were songs I love, so I was happy to see them on the list. Some of the songs were songs I hate, so I had my obligatory Oh-Ya-Gotta-Be-Kiddin'-Me moments. The song that they named the greatest metal song ever is a song I am so sick of and have come to hate so much that I can no longer be objective about it.

Look, I worked in radio for eight years. There are songs that I have simply because I've heard them over and over and over and over and over and over again. I can't be objective about them anymore. I never want to hear Sweet Home Alabama again. I never want to hear Foxy Lady again. I never want to hear Stairway to Heaven again. And I ABSOLUTELY NEVER EVER want to hear Paranoid again.

Anyway, having sat through the whole stupid show, listening to people like the singer from Papa Roach and some comedian I've never heard of and some porn star (really) spout off about Heavy Metal, I decided to do a little spouting myself.

Therefore, SouthCon is proud to present

The Final, Absolute, Authorized List Of The
Ten Greatest Metal Vocalists Ever



10: Bruce Dickinson
I've written about Iron Maiden before... about how they were the first metal band that actually got me to pay attention to lyrics. Unlike all the other bands out there who were singing about sex, drugs, and rock and roll, Maiden were writing and recording songs about history, epic English poetry, science fiction... you know, stuff a 14 year old kid is interested in. Well, the stuff besides the sex, drugs, and rock and roll. Bruce Dickinson was Maiden's second lead singer and partly responsible for their breakthrough success after their first two albums with another vocalist. Dickinson had a vocal style that became sort of a template for about a thousand bands that followed Maiden. First of all, you had to be able to actually sing. Just screaming wasn't good enough. Secondly, now that you could sing, you had to be able to scream, too. And I don't mean scream like a scared girl. I mean scream like an eagle, like a monster, like a wounded animal. Really call up big, guttural screams from the gut. Dickinson was like a cross between an enraged grizzly bear and Roger Daltrey. Dickinson deserves credit for setting an important standard.




09: Lemmy Kilmister
The first time anyone sees Motorhead, the first thing they think is "Oh, my lord what an ugly bunch of guys." And, the ugliest of them all is Lemmy, the lead singer and guitar player. Now, the cool thing about Lemmy is that, as ugly as he looks, he sounds even uglier. Lemmy has a voice like a decrepit dumptruck or a half-rusted out motorcycle. He sings from the gut, but that doesn't really describe it. And it's not enough to say he sings from the groin, either. Lemmy sings from his feet; like every ugly ounce of him is being forced through his vocal chords. And there is nobody who could fit Motorhead better. Motorhead embodies an ugly, dirty, greasy element that rock and roll just can't do without. And Lemmy, warts and all, embodies Motorhead. 'Cuz, ya know what? Metal is supposed to be ugly. That's what always bugged me most during the hair-band, glam-rock wussy years in the late '80's when butt-sucking bands like Warrent and Poison and Winger were having hits. Their music was lame, their videos were always on TV, and those guys were just so pretty. God bless ya, Lemmy. God bless you and your big, ugly, gnarly head.




08: Brian Johnson
With the release of Back In Black, AC/DC did the impossible... they survived the loss of their most distinctive and valuable band member, Bon Scott. And not only did they survive him, they actually continued growing after his death. AC/DC actua