Thursday, November 27, 2008

 

Music And Lyrics On The Big Screen



Sometimes it's annoying when popular rock and pop songs are used as the soundtrack for a movie. It's often just one more symptom of a movie maker's absolute lack of creativity, originality and focus.

But, sometimes, a pop song is worked into a movie with real creativity and with real dramatic impact. When a pop song is used well in a movie, both the song and the movie benefit from the mix. Sometimes, in fact, a pop song is used so well in a movie that I can't help but associate the song and the movie forever after. It's a tribute to the skills of the director and/or writer when, working completely independent of the song writer, he or she is able to turn a pop song into an important element of a good movie. Put simply, when it's done right, it's awesome.

Some directors are particularly good at pulling it off. Paul Thomas Anderson and Quentin Tarantino come to mind. Other directors try it rarely, but sometimes to great effect.

This is a list of some of my favorite examples of doing it right.

But first, some rules:



And now ... the movies and the music (eleven songs, ten films), in no particular order.



This is only a partial list of many good examples of movie scenes that utilize pop music organically and artistically. I'm sure you may have a favorite that I didn't include on the list. I'd love to hear about other scenes I may have forgotten ... or may have never seen!

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Comments:
Good examples. I think that Scorsese is also very good at this (particularly in Goodfellas) My example of this is the use of the postlude to Layla while Ray Liotta narates the carnage inflicted by Jimmy on the Luthtansa hiest gang.
 
Hey, thanks for the comment! That specific sequence did enter my mind while I was thinking about this stuff. Scorsese is about my favorite movie maker and I love Goodfellas. I can't hear the piano sequence in Layla without picturing the crane shot where the camera pulls out of the freezer truck. And I always think about Goodfellas when I hear the Rolling Stones song Monkey Man, too. But since those songs are used as elements of the soundtrack and not as plot elements (the characters don't hear the music) it didn't fit the rules I'd set for myself.

Thanks for the feedback!
 
Excellent post; you hit all the major ones. I love that the WW Bohemian Rhapsody is on here; that scene forever changed how I listen to that song.


(BTW, you have Just Dropped In credited to Waynes World instead of The Big Lebowski)
 
MCF: (BTW, you have Just Dropped In credited to Waynes World instead of The Big Lebowski)

ACK! Thanks for the heads up. I fixed it.
 
You included the best one in my opinion: "Logical Song" in Magnolia. The other one that comes to mind is the use of "Free Bird" at the end of Rob Zombie's "Devil's Rejects." A movie I didn't like that much, by the way, because of all the sadism and violence. Something about movies where the violence is glamorized (i.e. you're supposed to be rooting for the bad guys) bothers me. But I will say Rob Zombie had a real knack for song selection in that movie.
 
Last comment by The Governor.
 
I saw Magnolia alone, sitting on the edge of my seat, afraid every scene might be the last one; then I walked acrosss the street and bought the soundtrack---I was profoundly moved by both the movie and the music and have loved Aimee Mann ever since. Wayne's World has been my do-the-ironing video for years, and I can iron a shirt, belt out a song and get profound motion-sickness brought on by headbanging when the Bohemian Rhapsody is on.

You're so disciplined, it's inspiring.
 
You've got several good uns there but you've missed two really great ones- firstly Nana's dance in Vivre sa Vie which is all about her annoying the gangsters who surround her. And secondly, same actress and director, the dance on which Tarentino based the Pulp fiction dance, the dance in Bande a Part of the Madison.
 
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